{"id":151,"date":"2020-06-23T14:59:32","date_gmt":"2020-06-23T12:58:26","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/ba2-2\/"},"modified":"2021-04-21T18:40:38","modified_gmt":"2021-04-21T16:40:38","slug":"ba1","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/ba1\/","title":{"rendered":"Projet Bachelier 1"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[8],"tags":[],"class_list":["post-151","post","type-post","status-publish","has-post-thumbnail","hentry","category-ateliers-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": \"#f7f7f7\",\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">Projet Bachelier 1<br \/><em>coord. Georges Pirson<\/em><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"config\": {\r\n            \"desktop\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"tablet\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"phone\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"layoutType\": \"top-aligned\",\r\n            \"elements\": [\r\n              {\r\n                \"cont\": \"<p><span class=\\\"_Caption\\\"><em>Catherine Baude<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Valentin Bollaert<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Benjamin Bulot<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Pierre Burquel<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Hugo Corbett<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Sara Cremer<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Maud De Rijck<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Axel Fisher<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Christine Godfroid<\/em><\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              },\r\n              {\r\n                \"cont\": \"<p><span class=\\\"_Caption\\\"><em>Carlo Gon\u00e7alves<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Kiran Katara<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Emilie Morales Finch<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Georges Pirson<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Isabelle Prignot<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Caroline Roure<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Bruno Vanhaesebrouck<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Jonathan Van Saet<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Fran\u00e7ois Vliebergh<\/em><\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              }\r\n            ]\r\n          }\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 11,\r\n          \"shortcodeid\": 1594817229459\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>La p\u00e9dagogie li\u00e9e \u00e0 l\u2019enseignement en premi\u00e8re ann\u00e9e ne peut se r\u00e9soudre \u00e0 veiller \u00e0 faire acqu\u00e9rir des comp\u00e9tences, m\u00eame si celles-ci sont essentielles dans la progression des \u00e9tudes.\u00a0La premi\u00e8re ann\u00e9e est \u00e9galement l\u2019opportunit\u00e9, pour les \u00e9tudiants, de saisir ce que l\u2019architecture peut \u00eatre et de commencer \u00e0 d\u00e9finir un int\u00e9r\u00eat envers elle.\u00a0En ce sens, l\u2019\u00e9tendue des attitudes et regards des enseignants du groupe est fondamentale pour pouvoir d\u00e9crire le milieu dans et vers lequel s\u2019orienter. Huit ateliers ont \u00e9t\u00e9 durant cette ann\u00e9e le laboratoire de cette \u00e9tendue.<\/p><p>De cet objectif p\u00e9dagogique, deux caract\u00e8res de notre enseignement peuvent \u00eatre identifi\u00e9s\u00a0:<\/p><ul><li>La stimulation et l\u2019\u00e9valuation doivent porter sur la motivation et sur l\u2019int\u00e9r\u00eat pour l\u2019architecture tout autant, voire plus, que sur l\u2019acquisition de comp\u00e9tences \u00ab\u00a0techniques\u00a0\u00bb.<\/li><li>Les exercices propos\u00e9s ne doivent pas se limiter \u00e0 engager la r\u00e9solution d\u2019une question (par exemple, un programme). Les exercices doivent soutenir la saisie et la d\u00e9finition d\u2019un domaine sp\u00e9cifique dans lequel ces questions se posent.<\/li><\/ul><p>Pour soutenir ces caract\u00e8res, notamment la capacit\u00e9 \u00e0 saisir un domaine sp\u00e9cifique \u00e0 l\u2019architecture, l\u2019exercice commun adopt\u00e9 pour le second quadrimestre a veill\u00e9 tout particuli\u00e8rement \u00e0 \u00e9tablir, dans une architecture temporaire, une vraisemblance propre au contexte de cet exercice.<\/p><ul><li>L\u2019architecture temporaire cr\u00e9e (d\u00e9termine) un espace pour une (ou des) occupation dans une temporalit\u00e9 limit\u00e9e. Elle intervient ainsi sur le domaine public dans un contexte limit\u00e9 sans devoir prendre en charge une \u00ab\u00a0destin\u00e9e\u00a0\u00bb du domaine public par son action sur lui. La responsabilit\u00e9 li\u00e9e \u00e0 cette action est ainsi d\u00e9limit\u00e9e et pr\u00e9cis\u00e9e.<\/li><li>L\u2019architecture temporaire travaille dans un entre-deux. Un entre-deux temporel mais \u00e9galement un entre-deux mat\u00e9riel car la mati\u00e8re utilis\u00e9e sera immanquablement r\u00e9utilis\u00e9e dans une vis\u00e9e accessible conceptuellement.<\/li><li>L\u2019architecture temporaire r\u00e9v\u00e8le des possibilit\u00e9s d\u2019occupations \u00e0 partir de son action sur l\u2019espace. En r\u00e9novation ou en construction neuve (ce qui est \u00e0 priori envisag\u00e9 ici par simplification), ce processus de production d\u2019abri est une constance propre \u00e0 son action sp\u00e9cifique.<\/li><\/ul><p>Ce cadre de travail permet de poursuivre, bien plus avant, la recherche de comp\u00e9tences mise en place au premier quadrimestre. Ces comp\u00e9tences sont li\u00e9es \u00e0 des attentions pr\u00e9cises.<\/p><ul><li>Attention \u00e0 la spatialit\u00e9, ou encore attention \u00e0 la capacit\u00e9 d\u2019un espace ou d\u2019un ensemble d\u2019espaces \u00e0 conforter par leur(s) dimension(s) et leur caract\u00e8re, une inclination mutuelle et, par l\u00e0, des capacit\u00e9s d\u2019occupation et d\u2019usages.<\/li><li>Attention \u00e0 l\u2019ext\u00e9rieur comme en-soi, ou encore attention au caract\u00e8re de l\u2019environnement dans ses caract\u00e9ristiques propres, dans son propre \u00ab\u00a0devenir\u00a0\u00bb, attention aux rapports que pourront alors entretenir architecture et environnement, attention aux dispositifs d\u2019interface entre ces mondes.<\/li><li>Attention \u00e0 l\u2019architectonique, ou encore attention aux relations entre \u00e9criture (composition), structure et mat\u00e9rialit\u00e9 induites par le projet d\u2019architecture. Dans ce cas pr\u00e9cis, la possibilit\u00e9 de d\u00e9monter l\u2019ouvrage apr\u00e8s son temps d\u2019usage cr\u00e9\u00e9e une facilit\u00e9 \u00e0 envisager sa production.<\/li><\/ul><p>Ces diff\u00e9rents objectifs s\u2019inscrivent dans une production de r\u00e9alit\u00e9 (de vraisemblance) au sein de l\u2019exercice. 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Georges Pirson<\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"top-aligned\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p><span class=\\\"_Caption\\\"><em>Catherine Baude<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Valentin Bollaert<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Benjamin Bulot<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Pierre Burquel<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Hugo Corbett<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Sara Cremer<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Maud De Rijck<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Axel Fisher<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Christine Godfroid<\/em><\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p><span class=\\\"_Caption\\\"><em>Carlo Gon\u00e7alves<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Kiran Katara<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Emilie Morales Finch<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Georges Pirson<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Isabelle Prignot<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Caroline Roure<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Bruno Vanhaesebrouck<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Jonathan Van Saet<\/em><\/span><br \/><span class=\\\"_Caption\\\"><em>Fran\u00e7ois Vliebergh<\/em><\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>La p\u00e9dagogie li\u00e9e \u00e0 l\u2019enseignement en premi\u00e8re ann\u00e9e ne peut se r\u00e9soudre \u00e0 veiller \u00e0 faire acqu\u00e9rir des comp\u00e9tences, m\u00eame si celles-ci sont essentielles dans la progression des \u00e9tudes.\u00a0La premi\u00e8re ann\u00e9e est \u00e9galement l\u2019opportunit\u00e9, pour les \u00e9tudiants, de saisir ce que l\u2019architecture peut \u00eatre et de commencer \u00e0 d\u00e9finir un int\u00e9r\u00eat envers elle.\u00a0En ce sens, l\u2019\u00e9tendue des attitudes et regards des enseignants du groupe est fondamentale pour pouvoir d\u00e9crire le milieu dans et vers lequel s\u2019orienter. Huit ateliers ont \u00e9t\u00e9 durant cette ann\u00e9e le laboratoire de cette \u00e9tendue.<\/p><p>De cet objectif p\u00e9dagogique, deux caract\u00e8res de notre enseignement peuvent \u00eatre identifi\u00e9s\u00a0:<\/p><ul><li>La stimulation et l\u2019\u00e9valuation doivent porter sur la motivation et sur l\u2019int\u00e9r\u00eat pour l\u2019architecture tout autant, voire plus, que sur l\u2019acquisition de comp\u00e9tences \u00ab\u00a0techniques\u00a0\u00bb.<\/li><li>Les exercices propos\u00e9s ne doivent pas se limiter \u00e0 engager la r\u00e9solution d\u2019une question (par exemple, un programme). Les exercices doivent soutenir la saisie et la d\u00e9finition d\u2019un domaine sp\u00e9cifique dans lequel ces questions se posent.<\/li><\/ul><p>Pour soutenir ces caract\u00e8res, notamment la capacit\u00e9 \u00e0 saisir un domaine sp\u00e9cifique \u00e0 l\u2019architecture, l\u2019exercice commun adopt\u00e9 pour le second quadrimestre a veill\u00e9 tout particuli\u00e8rement \u00e0 \u00e9tablir, dans une architecture temporaire, une vraisemblance propre au contexte de cet exercice.<\/p><ul><li>L\u2019architecture temporaire cr\u00e9e (d\u00e9termine) un espace pour une (ou des) occupation dans une temporalit\u00e9 limit\u00e9e. Elle intervient ainsi sur le domaine public dans un contexte limit\u00e9 sans devoir prendre en charge une \u00ab\u00a0destin\u00e9e\u00a0\u00bb du domaine public par son action sur lui. La responsabilit\u00e9 li\u00e9e \u00e0 cette action est ainsi d\u00e9limit\u00e9e et pr\u00e9cis\u00e9e.<\/li><li>L\u2019architecture temporaire travaille dans un entre-deux. Un entre-deux temporel mais \u00e9galement un entre-deux mat\u00e9riel car la mati\u00e8re utilis\u00e9e sera immanquablement r\u00e9utilis\u00e9e dans une vis\u00e9e accessible conceptuellement.<\/li><li>L\u2019architecture temporaire r\u00e9v\u00e8le des possibilit\u00e9s d\u2019occupations \u00e0 partir de son action sur l\u2019espace. En r\u00e9novation ou en construction neuve (ce qui est \u00e0 priori envisag\u00e9 ici par simplification), ce processus de production d\u2019abri est une constance propre \u00e0 son action sp\u00e9cifique.<\/li><\/ul><p>Ce cadre de travail permet de poursuivre, bien plus avant, la recherche de comp\u00e9tences mise en place au premier quadrimestre. Ces comp\u00e9tences sont li\u00e9es \u00e0 des attentions pr\u00e9cises.<\/p><ul><li>Attention \u00e0 la spatialit\u00e9, ou encore attention \u00e0 la capacit\u00e9 d\u2019un espace ou d\u2019un ensemble d\u2019espaces \u00e0 conforter par leur(s) dimension(s) et leur caract\u00e8re, une inclination mutuelle et, par l\u00e0, des capacit\u00e9s d\u2019occupation et d\u2019usages.<\/li><li>Attention \u00e0 l\u2019ext\u00e9rieur comme en-soi, ou encore attention au caract\u00e8re de l\u2019environnement dans ses caract\u00e9ristiques propres, dans son propre \u00ab\u00a0devenir\u00a0\u00bb, attention aux rapports que pourront alors entretenir architecture et environnement, attention aux dispositifs d\u2019interface entre ces mondes.<\/li><li>Attention \u00e0 l\u2019architectonique, ou encore attention aux relations entre \u00e9criture (composition), structure et mat\u00e9rialit\u00e9 induites par le projet d\u2019architecture. Dans ce cas pr\u00e9cis, la possibilit\u00e9 de d\u00e9monter l\u2019ouvrage apr\u00e8s son temps d\u2019usage cr\u00e9\u00e9e une facilit\u00e9 \u00e0 envisager sa production.<\/li><\/ul><p>Ces diff\u00e9rents objectifs s\u2019inscrivent dans une production de r\u00e9alit\u00e9 (de vraisemblance) au sein de l\u2019exercice. 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