{"id":1511,"date":"2021-06-30T10:23:37","date_gmt":"2020-06-16T19:49:14","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/mml_moreau-2\/"},"modified":"2021-07-13T17:29:32","modified_gmt":"2021-07-13T15:29:32","slug":"mml_metzger","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/mml_metzger\/","title":{"rendered":"MML | Johan Metzger"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1522,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[1,21],"tags":[],"class_list":["post-1511","post","type-post","status-publish","has-post-thumbnail","hentry","category-productions","category-proj-20-21"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

How to build a house for Mechelen\u2019s artisans<\/span>
Johan Metzger<\/em>
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Le pr\u00e9sent projet se base sur le postulat que l\u2019architecture cr\u00e9e des communaut\u00e9s qui font revivre des comp\u00e9tences. L\u2019id\u00e9e est de renforcer les valeurs sociales et culturelles de l\u2019artisanat en cr\u00e9ant une plateforme physique pour donner du pouvoir aux artisans malinois. L\u2019intention est de r\u00e9introduire un espace de fabrication et d\u2019apprentissage dans le centre de Malines, qui viendra compl\u00e9ter l\u2019actuel Institut des arts et m\u00e9tiers. Ainsi, l\u2019implantation propos\u00e9e est strat\u00e9gique au regard de l\u2019histoire de la ville \u2013 il s\u2019agit d\u2019un terrain inoccup\u00e9 depuis 2001, sis au 59 Lange Schipstraat et utilis\u00e9 actuellement comme parking privatif. <\/span><\/p>

Comme pour tisser un lien s\u00e9mantique avec les tableaux \u00e0 volets du Moyen-\u00c2ge, si pr\u00e9sents dans les \u00e9difices religieux de Malines, le projet s\u2019envisage sous l\u2019empreinte d\u2019un triptyque programmatique, trois ateliers\u00a0: un pour l\u2019acier, un pour le bois et le troisi\u00e8me d\u00e9di\u00e9 au travail de la tapisserie. <\/span><\/p>

Par rapport \u00e0 l\u2019\u00e9criture des \u00e9l\u00e9ments architectoniques, il est moins question de cr\u00e9ation d\u2019\u00e9l\u00e9ments positifs que de la suppression d\u2019un n\u00e9gatif laissant derri\u00e8re lui un paysage g\u00e9ologique post-historique. Subvertissant de nombreuses attentes typologiques, les murs sont litt\u00e9ralement, en plan, des morceaux de dessins pr\u00e9c\u00e9demment r\u00e9alis\u00e9s, g\u00e9n\u00e9rant des \u00e9l\u00e9ments codifi\u00e9s et abstraits. Une litt\u00e9ralit\u00e9 \u00e9tonnamment simple.<\/span><\/p>

Le travail qui est produit est \u00e0 la fois holistique, dans sa lisibilit\u00e9 en tant que paysage dessin\u00e9 et segment\u00e9 dans l\u2019autonomie des explorations formelles. La position al\u00e9atoire des choses permet une ouverture et une porosit\u00e9 entre les divers ateliers. Le projet a finalement une \u00e9paisseur impossible, il embrasse le terrain, et ce faisant, d\u00e9couvre et met en valeur ses qualit\u00e9s apparemment \u00e9parses. <\/span><\/p>

Issues d\u2019un acte projectif et r\u00e9fl\u00e9chi, les couches de murs, moul\u00e9s en pl\u00e2tre et qui pourront encore \u00eatre fa\u00e7onn\u00e9s par les artisans, sont la traduction d\u2019un geste, la capture physique d\u2019un mouvement et g\u00e9n\u00e8rent un syst\u00e8me complexe de relations spatiales et visuelles entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur. L\u2019esth\u00e9tique qui r\u00e9sulte nous ram\u00e8ne \u00e0 des formes de vie archa\u00efques. 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How to build a house for Mechelen\u2019s artisans<\/span>
Johan Metzger<\/em>
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Le pr\u00e9sent projet se base sur le postulat que l\u2019architecture cr\u00e9e des communaut\u00e9s qui font revivre des comp\u00e9tences. L\u2019id\u00e9e est de renforcer les valeurs sociales et culturelles de l\u2019artisanat en cr\u00e9ant une plateforme physique pour donner du pouvoir aux artisans malinois. L\u2019intention est de r\u00e9introduire un espace de fabrication et d\u2019apprentissage dans le centre de Malines, qui viendra compl\u00e9ter l\u2019actuel Institut des arts et m\u00e9tiers. Ainsi, l\u2019implantation propos\u00e9e est strat\u00e9gique au regard de l\u2019histoire de la ville \u2013 il s\u2019agit d\u2019un terrain inoccup\u00e9 depuis 2001, sis au 59 Lange Schipstraat et utilis\u00e9 actuellement comme parking privatif. <\/span><\/p>

Comme pour tisser un lien s\u00e9mantique avec les tableaux \u00e0 volets du Moyen-\u00c2ge, si pr\u00e9sents dans les \u00e9difices religieux de Malines, le projet s\u2019envisage sous l\u2019empreinte d\u2019un triptyque programmatique, trois ateliers\u00a0: un pour l\u2019acier, un pour le bois et le troisi\u00e8me d\u00e9di\u00e9 au travail de la tapisserie. <\/span><\/p>

Par rapport \u00e0 l\u2019\u00e9criture des \u00e9l\u00e9ments architectoniques, il est moins question de cr\u00e9ation d\u2019\u00e9l\u00e9ments positifs que de la suppression d\u2019un n\u00e9gatif laissant derri\u00e8re lui un paysage g\u00e9ologique post-historique. Subvertissant de nombreuses attentes typologiques, les murs sont litt\u00e9ralement, en plan, des morceaux de dessins pr\u00e9c\u00e9demment r\u00e9alis\u00e9s, g\u00e9n\u00e9rant des \u00e9l\u00e9ments codifi\u00e9s et abstraits. Une litt\u00e9ralit\u00e9 \u00e9tonnamment simple.<\/span><\/p>

Le travail qui est produit est \u00e0 la fois holistique, dans sa lisibilit\u00e9 en tant que paysage dessin\u00e9 et segment\u00e9 dans l\u2019autonomie des explorations formelles. La position al\u00e9atoire des choses permet une ouverture et une porosit\u00e9 entre les divers ateliers. Le projet a finalement une \u00e9paisseur impossible, il embrasse le terrain, et ce faisant, d\u00e9couvre et met en valeur ses qualit\u00e9s apparemment \u00e9parses. <\/span><\/p>

Issues d\u2019un acte projectif et r\u00e9fl\u00e9chi, les couches de murs, moul\u00e9s en pl\u00e2tre et qui pourront encore \u00eatre fa\u00e7onn\u00e9s par les artisans, sont la traduction d\u2019un geste, la capture physique d\u2019un mouvement et g\u00e9n\u00e8rent un syst\u00e8me complexe de relations spatiales et visuelles entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur. L\u2019esth\u00e9tique qui r\u00e9sulte nous ram\u00e8ne \u00e0 des formes de vie archa\u00efques. Un monde de grottes, de vers, d'abris, de voyages au centre de la terre de Jules Verne. <\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"shortcodeid\": 1594816815411\r\n }\r\n ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/06\/Thumb_MML_Metzger.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/1511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=1511"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/1511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/1522"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=1511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=1511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=1511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}