{"id":1579,"date":"2021-06-30T16:17:53","date_gmt":"2020-06-16T19:49:14","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/ba1_auquier-2\/"},"modified":"2021-07-10T22:45:22","modified_gmt":"2021-07-10T20:45:22","slug":"ba1_niemynski-esparas","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/ba1_niemynski-esparas\/","title":{"rendered":"BA1 | Jakub Niemynski &\u00a0Beverly Esparas\u00a0"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1587,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[1,21],"tags":[],"class_list":["post-1579","post","type-post","status-publish","has-post-thumbnail","hentry","category-productions","category-proj-20-21"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Jakub Niemynski &\u00a0Beverly Esparas\u00a0<\/span><\/em>
BA1 (Martin Outers & Axel Fisher)<\/span><\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"shortcodeid\": 1594815909356\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Comment c\u00e9l\u00e9brer nos morts\u00a0? C\u2019est la question que se sont pos\u00e9e Beverly et Jakub.<\/span><\/p>

\u00ab Avant tout, en marchant\u00a0\u00bb r\u00e9pondent-ils.\u00a0 Ainsi, la c\u00e9l\u00e9bration s\u2019inaugure \u00e0 la lisi\u00e8re de la For\u00eat, par un p\u00e8lerinage collectif d\u2019accompagnement du d\u00e9funt.\u00a0 Le cort\u00e8ge s\u2019enfonce dans les bois, les pas rythment le recueillement jusqu\u2019au cr\u00e9matorium.<\/span><\/p>

L\u2019\u00e9difice sur pilotis s\u2019implante au bord d\u2019un \u00e9tang, sur un promontoire cr\u00e9\u00e9 par la rencontre de deux vall\u00e9es. \u00a0Il prolonge le p\u00e8lerinage en son sein par un parcours vertical ext\u00e9rieur qui s\u2019enroule autour des espaces techniques. Chaque \u00e9tape de la c\u00e9r\u00e9monie emm\u00e8ne un peu plus le cort\u00e8ge vers le ciel et la cime des arbres.<\/span><\/p>

L\u2019accueil se situe sous un grand couvert au bord du lac, la c\u00e9r\u00e9monie proprement dite se tient dans la chapelle en double hauteur, une salle de cr\u00e9mation permet \u00e0 ceux qui le souhaitent de regarder le brasier, enfin, les familles peuvent se recueillir au bord d\u2019une large terrasse plong\u00e9e dans la canop\u00e9e des arbres.<\/span><\/p>

L\u2019architecture, le sol, les arbres sont les ferments du projet. Ils constituent aussi les trois moyens de conservation des cendres\u00a0: \u00e0 chaque \u00e9tage, un grand mur creux fait office de columbarium, au rez-de-chauss\u00e9e, le sol de la for\u00eat se mue en pelouse de dispersion et, enfin, les cendres des d\u00e9funts sont d\u00e9pos\u00e9es aux pieds d\u2019un arbre plant\u00e9 \u00e0 l\u2019occasion. Le cimeti\u00e8re se mue alors en promenade.<\/span><\/p>

Marchons, encore, nous disent Beverly et Jakub, \u00e0 la m\u00e9moire de nos morts.<\/span><\/p>

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Jakub Niemynski &\u00a0Beverly Esparas\u00a0<\/span><\/em>
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Comment c\u00e9l\u00e9brer nos morts\u00a0? C\u2019est la question que se sont pos\u00e9e Beverly et Jakub.<\/span><\/p>

\u00ab Avant tout, en marchant\u00a0\u00bb r\u00e9pondent-ils.\u00a0 Ainsi, la c\u00e9l\u00e9bration s\u2019inaugure \u00e0 la lisi\u00e8re de la For\u00eat, par un p\u00e8lerinage collectif d\u2019accompagnement du d\u00e9funt.\u00a0 Le cort\u00e8ge s\u2019enfonce dans les bois, les pas rythment le recueillement jusqu\u2019au cr\u00e9matorium.<\/span><\/p>

L\u2019\u00e9difice sur pilotis s\u2019implante au bord d\u2019un \u00e9tang, sur un promontoire cr\u00e9\u00e9 par la rencontre de deux vall\u00e9es. \u00a0Il prolonge le p\u00e8lerinage en son sein par un parcours vertical ext\u00e9rieur qui s\u2019enroule autour des espaces techniques. Chaque \u00e9tape de la c\u00e9r\u00e9monie emm\u00e8ne un peu plus le cort\u00e8ge vers le ciel et la cime des arbres.<\/span><\/p>

L\u2019accueil se situe sous un grand couvert au bord du lac, la c\u00e9r\u00e9monie proprement dite se tient dans la chapelle en double hauteur, une salle de cr\u00e9mation permet \u00e0 ceux qui le souhaitent de regarder le brasier, enfin, les familles peuvent se recueillir au bord d\u2019une large terrasse plong\u00e9e dans la canop\u00e9e des arbres.<\/span><\/p>

L\u2019architecture, le sol, les arbres sont les ferments du projet. Ils constituent aussi les trois moyens de conservation des cendres\u00a0: \u00e0 chaque \u00e9tage, un grand mur creux fait office de columbarium, au rez-de-chauss\u00e9e, le sol de la for\u00eat se mue en pelouse de dispersion et, enfin, les cendres des d\u00e9funts sont d\u00e9pos\u00e9es aux pieds d\u2019un arbre plant\u00e9 \u00e0 l\u2019occasion. Le cimeti\u00e8re se mue alors en promenade.<\/span><\/p>

Marchons, encore, nous disent Beverly et Jakub, \u00e0 la m\u00e9moire de nos morts.<\/span><\/p>

Martin Outers & Axel Fisher<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"shortcodeid\": 1594815909356\r\n }\r\n ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/06\/Thumb_BA1_Nyeminski_Esparas.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/1579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=1579"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/1579\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/1587"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=1579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=1579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=1579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}