{"id":1810,"date":"2021-07-07T23:33:45","date_gmt":"2020-07-02T14:25:19","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/tda-2021-2\/"},"modified":"2021-07-12T20:04:26","modified_gmt":"2021-07-12T18:04:26","slug":"up-2021","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/up-2021\/","title":{"rendered":"Unit\u00e9 de Production"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[24],"tags":[],"class_list":["post-1810","post","type-post","status-publish","has-post-thumbnail","hentry","category-ateliers-20-21"],"grid":"{\r\n \"colCount\": 6,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Unit\u00e9 de Production
<\/span>Sophie Dars, Paul Mouchet, Thierry Decuypere
<\/em><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"shortcodeid\": 1594817278063\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

UP poursuit un cycle de r\u00e9flexion par le projet quant \u00e0 l\u2019impact du \u00ab\u00a0changement de r\u00e9gime climatique\u00a0\u00bb sur la pratique architecturale. Alors que le monde de la construction r\u00e9agit aux crises actuelles essentiellement par la paisible perspective du d\u00e9veloppement durable, nous nous int\u00e9resserons aux auteurs pour qui la notion de crise, et la potentielle sortie par le haut qu\u2019elle sous-entend, doit \u00eatre remplac\u00e9e par une prise aux s\u00e9rieux des cons\u00e9quences d\u2019un changement en cours, in\u00e9vitable et radical de nos mani\u00e8res d\u2019\u00eatre au monde.<\/span><\/p>

Le semestre sera l\u2019occasion de d\u00e9couvrir \u00e0 travers des textes, des conf\u00e9rences et des projets, des penseurs qui prennent la mesure de l\u2019\u00e9tat du monde depuis la publication en 1972 du rapport \u00ab\u00a0The Limits to Growth<\/em>\u00a0\u00bb par l\u2019\u00e9quipe du MIT de Dennis Meadows. Ce rapport a mis en \u00e9vidence le risque d\u2019effondrements multiples et interconnect\u00e9s r\u00e9sultant d\u2019une poursuite de la croissance dans le cadre d\u2019une plan\u00e8te aux ressources finies. Les effondrements pr\u00e9dits par ce mod\u00e8le sont aujourd\u2019hui confirm\u00e9s la science et partag\u00e9 par une partie croissante de la soci\u00e9t\u00e9 civile sans que les mesures n\u00e9cessaires soient engag\u00e9es.<\/span><\/p>

A part quelques initiatives minoritaires, le monde de l\u2019architecture semble affect\u00e9 superficiellement par ce changement de paradigme tant dans sa mani\u00e8re de penser les programmes, le rapport aux usagers, la mat\u00e9rialit\u00e9 des b\u00e2timents ou le dessin du projet. Les projets d\u00e9velopp\u00e9s lors du semestre seront l\u2019occasion de mesurer les effets potentiels de ce \u00ab\u00a0nouveau r\u00e9gime climatique\u00a0\u00bb sur notre mani\u00e8re de parler et de donner forme \u00e0 l\u2019architecture.<\/span><\/p>

Un portrait n\u00e9o-mat\u00e9rialiste de Ganshoren<\/strong><\/span><\/p>

Ce quadrimestre nous avons travaill\u00e9 sur le portrait n\u00e9o-mat\u00e9rialiste de Ganshoren, \u200b\u00e0 la mani\u00e8re dont ce territoire accueillera les enjeux et cons\u00e9quences des mutations \u00e9cologiques en devenir. Ce territoire Ganshoren, est une zone suburbaine \u00e9trange, infraordinaire, peupl\u00e9e de situations antagonistes et h\u00e9t\u00e9roclites, \u00e0 la fronti\u00e8re entre ville et campagne au nord-ouest de Bruxelles. <\/span><\/p>

Nous nous int\u00e9ressons \u00e0 comment penser un territoire \u00e0 travers la notion de \u200bn\u00e9o-materialisme\u200b port\u00e9e par l\u2019historien Timothy J. LeCain en partant d\u2019un entretien avec l\u2019auteur intitul\u00e9: \u00ab Le culturel est toujours mat\u00e9riel, et le mat\u00e9riel est toujours culturel. \u00bb <\/span><\/p>

Le changement de mod\u00e8le qui s\u2019impose \u00e0 notre soci\u00e9t\u00e9 implique un profond questionnement de nos habitudes constructives et de nos modes de vie pour r\u00e9duire notre impact sur la biosph\u00e8re. L\u2019objectif de cette r\u00e9duction passe par une am\u00e9lioration de notre compr\u00e9hension des syst\u00e8mes \u00e9cologiques. Dans son ouvrage\u200b The Matter of History<\/em> T\u200bimothy J. LeCain d\u00e9crit les \u200binterrelations\u200b entre la culture humaine et ce qu\u2019il d\u00e9finit comme\u200b un monde mat\u00e9riel natural dynamique;\u200b comment l\u2019un et l\u2019autre s\u2019influencent. Comment les forces \u00e9cologiques ont impr\u00e9gn\u00e9, influenc\u00e9 nos mani\u00e8re d\u2019etre au monde hier et encore aujourd\u2019hui. Des penseurs comme Deleuze, Guattari ou encore Bruno Latour, nous ont invit\u00e9s \u00e0 comprendre les humains et leurs diverses cultures comme \u00e9mergeant de leurs interactions avec un environnement compos\u00e9 d\u2019autres \u200bagents\u200b, allant des fils de cuivre dans nos murs aux arbres d\u2019une for\u00eat, en passant par les vaches qui paissent dans un p\u00e2turage lointain. \u200b<\/span>Le culturel est toujours mat\u00e9riel et le mat\u00e9riel est toujours culturel<\/span> <\/span><\/p><\/div><\/div><\/div><\/div>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n 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Unit\u00e9 de Production
<\/span>Sophie Dars, Paul Mouchet, Thierry Decuypere
<\/em><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 840,\r\n \"attid\": 1817,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web.jpg\",\r\n \"_1024\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web-1024x640.jpg\",\r\n \"_768\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web-768x480.jpg\",\r\n \"_512\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web-512x320.jpg\",\r\n \"_265\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2021\/07\/UP_isittoolate_ganshoren-web-265x166.jpg\"\r\n },\r\n \"w\": 1280,\r\n \"h\": 800,\r\n \"ar\": 0.625,\r\n \"alt\": \"\",\r\n \"caption\": \"

Universit\u00e0 di Parma | CASAC Centro Studi e Archivio della Communicazione, BB003017S.\u00a0Senza titolo (No-Stop City. Progetto di Sistema metropolitano diffuso. Diagramma abitativo omogeno) (1969\/72)<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

UP poursuit un cycle de r\u00e9flexion par le projet quant \u00e0 l\u2019impact du \u00ab\u00a0changement de r\u00e9gime climatique\u00a0\u00bb sur la pratique architecturale. Alors que le monde de la construction r\u00e9agit aux crises actuelles essentiellement par la paisible perspective du d\u00e9veloppement durable, nous nous int\u00e9resserons aux auteurs pour qui la notion de crise, et la potentielle sortie par le haut qu\u2019elle sous-entend, doit \u00eatre remplac\u00e9e par une prise aux s\u00e9rieux des cons\u00e9quences d\u2019un changement en cours, in\u00e9vitable et radical de nos mani\u00e8res d\u2019\u00eatre au monde.<\/span><\/p>

Le semestre sera l\u2019occasion de d\u00e9couvrir \u00e0 travers des textes, des conf\u00e9rences et des projets, des penseurs qui prennent la mesure de l\u2019\u00e9tat du monde depuis la publication en 1972 du rapport \u00ab\u00a0The Limits to Growth<\/em>\u00a0\u00bb par l\u2019\u00e9quipe du MIT de Dennis Meadows. Ce rapport a mis en \u00e9vidence le risque d\u2019effondrements multiples et interconnect\u00e9s r\u00e9sultant d\u2019une poursuite de la croissance dans le cadre d\u2019une plan\u00e8te aux ressources finies. Les effondrements pr\u00e9dits par ce mod\u00e8le sont aujourd\u2019hui confirm\u00e9s la science et partag\u00e9 par une partie croissante de la soci\u00e9t\u00e9 civile sans que les mesures n\u00e9cessaires soient engag\u00e9es.<\/span><\/p>

A part quelques initiatives minoritaires, le monde de l\u2019architecture semble affect\u00e9 superficiellement par ce changement de paradigme tant dans sa mani\u00e8re de penser les programmes, le rapport aux usagers, la mat\u00e9rialit\u00e9 des b\u00e2timents ou le dessin du projet. Les projets d\u00e9velopp\u00e9s lors du semestre seront l\u2019occasion de mesurer les effets potentiels de ce \u00ab\u00a0nouveau r\u00e9gime climatique\u00a0\u00bb sur notre mani\u00e8re de parler et de donner forme \u00e0 l\u2019architecture.<\/span><\/p>

Un portrait n\u00e9o-mat\u00e9rialiste de Ganshoren<\/strong><\/span><\/p>

Ce quadrimestre nous avons travaill\u00e9 sur le portrait n\u00e9o-mat\u00e9rialiste de Ganshoren, \u200b\u00e0 la mani\u00e8re dont ce territoire accueillera les enjeux et cons\u00e9quences des mutations \u00e9cologiques en devenir. Ce territoire Ganshoren, est une zone suburbaine \u00e9trange, infraordinaire, peupl\u00e9e de situations antagonistes et h\u00e9t\u00e9roclites, \u00e0 la fronti\u00e8re entre ville et campagne au nord-ouest de Bruxelles. <\/span><\/p>

Nous nous int\u00e9ressons \u00e0 comment penser un territoire \u00e0 travers la notion de \u200bn\u00e9o-materialisme\u200b port\u00e9e par l\u2019historien Timothy J. LeCain en partant d\u2019un entretien avec l\u2019auteur intitul\u00e9: \u00ab Le culturel est toujours mat\u00e9riel, et le mat\u00e9riel est toujours culturel. \u00bb <\/span><\/p>

Le changement de mod\u00e8le qui s\u2019impose \u00e0 notre soci\u00e9t\u00e9 implique un profond questionnement de nos habitudes constructives et de nos modes de vie pour r\u00e9duire notre impact sur la biosph\u00e8re. L\u2019objectif de cette r\u00e9duction passe par une am\u00e9lioration de notre compr\u00e9hension des syst\u00e8mes \u00e9cologiques. Dans son ouvrage\u200b The Matter of History<\/em> T\u200bimothy J. LeCain d\u00e9crit les \u200binterrelations\u200b entre la culture humaine et ce qu\u2019il d\u00e9finit comme\u200b un monde mat\u00e9riel natural dynamique;\u200b comment l\u2019un et l\u2019autre s\u2019influencent. Comment les forces \u00e9cologiques ont impr\u00e9gn\u00e9, influenc\u00e9 nos mani\u00e8re d\u2019etre au monde hier et encore aujourd\u2019hui. 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