{"id":2620,"date":"2022-09-15T12:20:03","date_gmt":"2020-07-02T14:25:19","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/mml-21-24-2\/"},"modified":"2022-09-17T13:53:02","modified_gmt":"2022-09-17T11:53:02","slug":"pc-21-24","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/pc-21-24\/","title":{"rendered":"PC – Pratiques Critiques"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[31],"tags":[],"class_list":["post-2620","post","type-post","status-publish","has-post-thumbnail","hentry","category-ateliers-21-22"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/ONLINE_Thumbnails-ateliers10.jpg","grid":"{\"colCount\":6,\"colGutter\":1.5,\"rowGutters\":[],\"frameMargin\":5,\"topFrameMargin\":10,\"bottomFrameMargin\":5,\"rowAttrs\":[[]],\"bgColor\":null,\"cont\":[{\"type\":\"stack\",\"cont\":[{\"type\":\"text\",\"cont\":\"

PC - Pratiques Critiques
<\\\/span>Vincent\\u00a0Brunetta, Carlo\\u00a0Gon\\u00e7alves, Carlo\\u00a0Menon
<\\\/em><\\\/p>\",\"align\":\"middle\",\"row\":-1,\"col\":0,\"colspan\":3,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":5,\"absolute_position\":false},{\"type\":\"shortcode\",\"cont\":\"[shared_counts]\",\"align\":\"top\",\"row\":-1,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"shortcodeid\":1594817278063,\"absolute_position\":false},{\"type\":\"hr\",\"cont\":\"\",\"align\":\"top\",\"row\":-1,\"col\":0,\"colspan\":3,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"

Pratiques critiques<\\\/span><\\\/em> est un environnement p\\u00e9dagogique qui place au centre de ses pr\\u00e9occupations la dimension critique des pratiques de l\\u2019espace. L\\u2019atelier propose aux \\u00e9tudiant\\u00b7e\\u00b7s de r\\u00e9fl\\u00e9chir et d<\\\/span>\\u2019<\\\/span>agir en termes de pratiques critiques, envisageant le champ de l<\\\/span>\\u2019<\\\/span>architecture et des architectes de mani\\u00e8re ouverte, sp\\u00e9culative, socialement engag\\u00e9e, historiquement ancr\\u00e9e et localement situ\\u00e9e.<\\\/span>\\u00a0
<\\\/span>Une pratique critique est une pratique active, inform\\u00e9e, ouverte, engag\\u00e9e, sp\\u00e9culative et bas\\u00e9e sur une d\\u00e9finition \\u00e9largie et poreuse de la culture architecturale.\\u00a0<\\\/span>Une pratique critique a un caract\\u00e8re exploratoire, toujours en mouvement, en devenir et en tension avec sa r\\u00e9alit\\u00e9 contemporaine.\\u00a0<\\\/span>Une pratique critique assume ses d\\u00e9sirs, donne envie, provoque un questionnement.\\u00a0<\\\/span>Une pratique critique se construit par sa force propositionnelle.\\u00a0<\\\/span>Une pratique critique convoque autant les moyens de la d\\u00e9couverte par le faire que ceux des investigations intellectuelles, les entrecroisant.\\u00a0<\\\/span>Une pratique critique d\\u00e9marre toujours des conditions de l\\u2019existant, les accepte en tant que telles de prime abord, puis en propose une lecture d\\u00e9cal\\u00e9e, alternative, inform\\u00e9e.\\u00a0<\\\/span>Une pratique critique invite \\u00e0 prendre en compte les d\\u00e9placements \\u00e9pist\\u00e9mologiques qui rendent visibles les logiques syst\\u00e9miques de domination, d\\u2019oppression, de subalternisation, de stigmatisation (anthropocentrisme, classisme, h\\u00e9t\\u00e9ropatriarcat, racisme, \\u2026) et leurs inscriptions mat\\u00e9rielles, spatiales, \\u00e9conomiques, sociales, intellectuelles.\\u00a0<\\\/span>Une pratique critique est \\u00e0 la fois empathique et impertinente.<\\\/span><\\\/p>

Une pratique critique...<\\\/span><\\\/p>

L\\u2019atelier Pratiques critiques<\\\/em> est un espace d\\u2019explorations pratiques et intellectuelles, autant de d\\u00e9marches actives et donc inscrites dans des documents et artefacts collect\\u00e9s ou produits de natures vari\\u00e9es\\u00a0: textes autographes, notes de lecture, collections de documents trouv\\u00e9s, travaux photographiques, productions graphiques et mat\\u00e9rielles, maquettes, etc. La d\\u00e9finition et le d\\u00e9veloppement de ces d\\u00e9marches sont issus du dialogue et des d\\u00e9bats initi\\u00e9s au sein de l<\\\/span>\\u2019<\\\/span>atelier, donc jamais d\\u00e9termin\\u00e9s a priori.<\\\/span><\\\/p>

L\\u2019atelier pousse les \\u00e9tudiant\\u00b7e\\u00b7s \\u00e0 prendre position face aux d\\u00e9fis et potentiels nouveaux paradigmes auxquels la discipline architecturale est confront\\u00e9e et \\u00e0 se mettre en condition de les identifier et d\\u2019en saisir les enjeux. En lien avec des pratiques issues d\\u2019autres champs disciplinaires, il propose de comprendre les dispositifs d<\\\/span>\\u2019<\\\/span>un contemporain prot\\u00e9iforme, pour permettre une prise de conscience des conditions de la pratique architecturale et de l<\\\/span>\\u2019<\\\/span>interrelation qu\\u2019elle entretient avec ses histoires et ses th\\u00e9ories. <\\\/span><\\\/p>

Pour l\\u2019ann\\u00e9e 2021\\u201322, l\\u2019atelier a invit\\u00e9 les \\u00e9tudiant\\u00b7e\\u00b7s \\u00e0 d\\u00e9finir librement le champ, les outils et la trajectoire de chaque projet. Au courant du premier quadrimestre, en commen\\u00e7ant par une premi\\u00e8re phase d\\u2019explorations critiques, chaque \\u00e9tudiant\\u00b7e a d\\u00e9fini progressivement un sc\\u00e9nario de projet qui lui permette de se confronter \\u00e0 une probl\\u00e9matique architecturale. Le deuxi\\u00e8me quadrimestre a donc permis de d\\u00e9velopper ce sc\\u00e9nario en une proposition architecturale compl\\u00e8te.<\\\/span><\\\/p>

\\u00a0<\\\/span>Les projets pr\\u00e9sent\\u00e9s ici montrent cinq trajectoires exemplaires\\u00a0:<\\\/span><\\\/p>

Clelia Barbera Ramallo (BA3) a entam\\u00e9 une r\\u00e9vision critique des images mentales qui l\\u2019habitent, en questionnant leur origine et en en extrapolant, \\u00e0 travers plusieurs modes de repr\\u00e9sentation, une s\\u00e9rie d\\u2019invariantes architecturales. Avec ces outils elle a ensuite abord\\u00e9 un b\\u00e2timent existant, rue Navez \\u00e0 Bruxelles, en imaginant sa transformation par un processus de composition par fragments, fusionnant imaginaire et situation existante.<\\\/span><\\\/p>

Pauline Dubois (MA2) a explor\\u00e9 la posture de l\\u2019architecte comme \\u00ab\\u00a0m\\u00e9decin de campagne\\u00a0\\u00bb dans la situation extr\\u00eame du village de Fraipont, frapp\\u00e9 par les inondations de l\\u2019\\u00e9t\\u00e9 2021 et encore en reconstruction. En mettant en r\\u00e9cit des faits dont elle s\\u2019est empar\\u00e9e lors de visites et rencontres, elle a formul\\u00e9 une s\\u00e9rie de propositions esquissant une pratique architecturale d\\u00e9finie par le soin de l\\u2019existant, qu\\u2019il soit mat\\u00e9riel, architectural ou social.<\\\/span><\\\/p>

Nathan Gatignol (BA3) s\\u2019est int\\u00e9ress\\u00e9 depuis le d\\u00e9but d\\u2019ann\\u00e9e \\u00e0 l\\u2019espace public, \\u00e0 ses rites et \\u00e0 ses dispositifs, en insistant particuli\\u00e8rement sur le concept de plateforme et en oscillant entre utopie et des propositions situ\\u00e9es, \\u00e0 Bruxelles. Son projet final s\\u2019est saisi des sp\\u00e9culations pass\\u00e9es et pr\\u00e9sentes relatives au Plan Manhattan du Quartier Nord, en imaginant de revendiquer le socle de la tour WTC-3 pour y cr\\u00e9er une plateforme publique se greffant \\u00e0 l\\u2019espace priv\\u00e9 de logements et bureaux.<\\\/span><\\\/p>

Alexis Tribel (MA2) a cartographi\\u00e9 une tendance plut\\u00f4t diffuse dans l\\u2019architecture belge contemporaine, une \\u00ab\\u00a0esth\\u00e9tique de l\\u2019aust\\u00e9rit\\u00e9\\u00a0\\u00bb dont il a mis en lumi\\u00e8re traits et contradictions, avec ironie. 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PC - Pratiques Critiques
<\\\/span>Vincent\\u00a0Brunetta, Carlo\\u00a0Gon\\u00e7alves, Carlo\\u00a0Menon
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Universit\\u00e0 di Parma | CASAC Centro Studi e Archivio della Communicazione, BB003017S.\\u00a0Senza titolo (No-Stop City. Progetto di Sistema metropolitano diffuso. 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Pratiques critiques<\\\/span><\\\/em> est un environnement p\\u00e9dagogique qui place au centre de ses pr\\u00e9occupations la dimension critique des pratiques de l\\u2019espace. L\\u2019atelier propose aux \\u00e9tudiant\\u00b7e\\u00b7s de r\\u00e9fl\\u00e9chir et d<\\\/span>\\u2019<\\\/span>agir en termes de pratiques critiques, envisageant le champ de l<\\\/span>\\u2019<\\\/span>architecture et des architectes de mani\\u00e8re ouverte, sp\\u00e9culative, socialement engag\\u00e9e, historiquement ancr\\u00e9e et localement situ\\u00e9e.<\\\/span>\\u00a0
<\\\/span>Une pratique critique est une pratique active, inform\\u00e9e, ouverte, engag\\u00e9e, sp\\u00e9culative et bas\\u00e9e sur une d\\u00e9finition \\u00e9largie et poreuse de la culture architecturale.\\u00a0<\\\/span>Une pratique critique a un caract\\u00e8re exploratoire, toujours en mouvement, en devenir et en tension avec sa r\\u00e9alit\\u00e9 contemporaine.\\u00a0<\\\/span>Une pratique critique assume ses d\\u00e9sirs, donne envie, provoque un questionnement.\\u00a0<\\\/span>Une pratique critique se construit par sa force propositionnelle.\\u00a0<\\\/span>Une pratique critique convoque autant les moyens de la d\\u00e9couverte par le faire que ceux des investigations intellectuelles, les entrecroisant.\\u00a0<\\\/span>Une pratique critique d\\u00e9marre toujours des conditions de l\\u2019existant, les accepte en tant que telles de prime abord, puis en propose une lecture d\\u00e9cal\\u00e9e, alternative, inform\\u00e9e.\\u00a0<\\\/span>Une pratique critique invite \\u00e0 prendre en compte les d\\u00e9placements \\u00e9pist\\u00e9mologiques qui rendent visibles les logiques syst\\u00e9miques de domination, d\\u2019oppression, de subalternisation, de stigmatisation (anthropocentrisme, classisme, h\\u00e9t\\u00e9ropatriarcat, racisme, \\u2026) et leurs inscriptions mat\\u00e9rielles, spatiales, \\u00e9conomiques, sociales, intellectuelles.\\u00a0<\\\/span>Une pratique critique est \\u00e0 la fois empathique et impertinente.<\\\/span><\\\/p>

Une pratique critique...<\\\/span><\\\/p>

L\\u2019atelier Pratiques critiques<\\\/em> est un espace d\\u2019explorations pratiques et intellectuelles, autant de d\\u00e9marches actives et donc inscrites dans des documents et artefacts collect\\u00e9s ou produits de natures vari\\u00e9es\\u00a0: textes autographes, notes de lecture, collections de documents trouv\\u00e9s, travaux photographiques, productions graphiques et mat\\u00e9rielles, maquettes, etc. La d\\u00e9finition et le d\\u00e9veloppement de ces d\\u00e9marches sont issus du dialogue et des d\\u00e9bats initi\\u00e9s au sein de l<\\\/span>\\u2019<\\\/span>atelier, donc jamais d\\u00e9termin\\u00e9s a priori.<\\\/span><\\\/p>

L\\u2019atelier pousse les \\u00e9tudiant\\u00b7e\\u00b7s \\u00e0 prendre position face aux d\\u00e9fis et potentiels nouveaux paradigmes auxquels la discipline architecturale est confront\\u00e9e et \\u00e0 se mettre en condition de les identifier et d\\u2019en saisir les enjeux. En lien avec des pratiques issues d\\u2019autres champs disciplinaires, il propose de comprendre les dispositifs d<\\\/span>\\u2019<\\\/span>un contemporain prot\\u00e9iforme, pour permettre une prise de conscience des conditions de la pratique architecturale et de l<\\\/span>\\u2019<\\\/span>interrelation qu\\u2019elle entretient avec ses histoires et ses th\\u00e9ories. <\\\/span><\\\/p>

Pour l\\u2019ann\\u00e9e 2021\\u201322, l\\u2019atelier a invit\\u00e9 les \\u00e9tudiant\\u00b7e\\u00b7s \\u00e0 d\\u00e9finir librement le champ, les outils et la trajectoire de chaque projet. Au courant du premier quadrimestre, en commen\\u00e7ant par une premi\\u00e8re phase d\\u2019explorations critiques, chaque \\u00e9tudiant\\u00b7e a d\\u00e9fini progressivement un sc\\u00e9nario de projet qui lui permette de se confronter \\u00e0 une probl\\u00e9matique architecturale. Le deuxi\\u00e8me quadrimestre a donc permis de d\\u00e9velopper ce sc\\u00e9nario en une proposition architecturale compl\\u00e8te.<\\\/span><\\\/p>

\\u00a0<\\\/span>Les projets pr\\u00e9sent\\u00e9s ici montrent cinq trajectoires exemplaires\\u00a0:<\\\/span><\\\/p>

Clelia Barbera Ramallo (BA3) a entam\\u00e9 une r\\u00e9vision critique des images mentales qui l\\u2019habitent, en questionnant leur origine et en en extrapolant, \\u00e0 travers plusieurs modes de repr\\u00e9sentation, une s\\u00e9rie d\\u2019invariantes architecturales. Avec ces outils elle a ensuite abord\\u00e9 un b\\u00e2timent existant, rue Navez \\u00e0 Bruxelles, en imaginant sa transformation par un processus de composition par fragments, fusionnant imaginaire et situation existante.<\\\/span><\\\/p>

Pauline Dubois (MA2) a explor\\u00e9 la posture de l\\u2019architecte comme \\u00ab\\u00a0m\\u00e9decin de campagne\\u00a0\\u00bb dans la situation extr\\u00eame du village de Fraipont, frapp\\u00e9 par les inondations de l\\u2019\\u00e9t\\u00e9 2021 et encore en reconstruction. En mettant en r\\u00e9cit des faits dont elle s\\u2019est empar\\u00e9e lors de visites et rencontres, elle a formul\\u00e9 une s\\u00e9rie de propositions esquissant une pratique architecturale d\\u00e9finie par le soin de l\\u2019existant, qu\\u2019il soit mat\\u00e9riel, architectural ou social.<\\\/span><\\\/p>

Nathan Gatignol (BA3) s\\u2019est int\\u00e9ress\\u00e9 depuis le d\\u00e9but d\\u2019ann\\u00e9e \\u00e0 l\\u2019espace public, \\u00e0 ses rites et \\u00e0 ses dispositifs, en insistant particuli\\u00e8rement sur le concept de plateforme et en oscillant entre utopie et des propositions situ\\u00e9es, \\u00e0 Bruxelles. Son projet final s\\u2019est saisi des sp\\u00e9culations pass\\u00e9es et pr\\u00e9sentes relatives au Plan Manhattan du Quartier Nord, en imaginant de revendiquer le socle de la tour WTC-3 pour y cr\\u00e9er une plateforme publique se greffant \\u00e0 l\\u2019espace priv\\u00e9 de logements et bureaux.<\\\/span><\\\/p>

Alexis Tribel (MA2) a cartographi\\u00e9 une tendance plut\\u00f4t diffuse dans l\\u2019architecture belge contemporaine, une \\u00ab\\u00a0esth\\u00e9tique de l\\u2019aust\\u00e9rit\\u00e9\\u00a0\\u00bb dont il a mis en lumi\\u00e8re traits et contradictions, avec ironie. Le projet de learning centre pour l\\u2019universit\\u00e9 de Gant qu\\u2019il a imagin\\u00e9 au deuxi\\u00e8me quadrimestre r\\u00e9pond au programme d\\u2019origine en mettant au centre des crit\\u00e8res de composition ce jeu de miroirs entre repr\\u00e9sentation de soi, \\u00e9thique (du travail intellectuel) et esth\\u00e9tique.<\\\/span><\\\/p>\",\"align\":\"bottom\",\"row\":4,\"col\":0,\"colspan\":1,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":6,\"absolute_position\":false}]}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/2620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=2620"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/2620\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/2624"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=2620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=2620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=2620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}