{"id":286,"date":"2020-06-29T11:27:14","date_gmt":"2020-06-16T19:49:14","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/ba1_atelier4-2\/"},"modified":"2021-04-21T18:31:57","modified_gmt":"2021-04-21T16:31:57","slug":"aim2","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/aim2\/","title":{"rendered":"Option AIM II"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":288,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[15,1,20],"tags":[],"class_list":["post-286","post","type-post","status-publish","has-post-thumbnail","hentry","category-cours-tfe-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">Th\u00e9orie de la repr\u00e9sentation architecturale et documentation graphique du fait b\u00e2ti \u2014\u00a0<em>AIM\u00a0module\u00a0II (enseignants : David Lo Buglio, Denis Derycke, Michel Lef\u00e8vre)<br \/><\/em><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"shortcodeid\": 1594817540481\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 10\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>Ce module d\u2019option s\u2019appuie sur deux types d\u2019apprentissages.\u202f<br \/>D\u2019une part des s\u00e9minaires d\u2019histoire et th\u00e9orie de la repr\u00e9sentation permettant l\u2019acquisition de connaissances sp\u00e9cifiques du domaine. Cette approche p\u00e9dagogique doit permettre \u00e0 l\u2019\u00e9tudiant de construire un point de vue sp\u00e9culatif sur des questions de repr\u00e9sentation auxquelles il sera confront\u00e9 dans un exercice de relev\u00e9.\u00a0<br \/>D\u2019autre part,\u202fles s\u00e9minaires d\u2019acquisition num\u00e9rique proposent une initiation th\u00e9orique et pratique aux techniques de relev\u00e9 lasergramm\u00e9trique et photogramm\u00e9triques. Au-del\u00e0 des enjeux technologiques, ce cours examine \u00e9galement l\u2019ensemble des outils analytiques rencontr\u00e9s par la documentation du patrimoine b\u00e2ti et la caract\u00e9risation de formes architecturales.\u00a0<\/p><p>\u00c0 travers l\u2019exp\u00e9rimentation de diff\u00e9rents dispositifs et m\u00e9thodes de num\u00e9risation, l\u2019objectif est de donner les moyens techniques et \u00e9pist\u00e9mologiques \u00e0 l\u2019\u00e9tudiant pour conduire une analyse approfondie sur un objet patrimonial et son contexte. Par ailleurs, il lui est demand\u00e9 de confronter le point de vue th\u00e9orique qu\u2019il aura construit avec ses travaux de num\u00e9risation afin de r\u00e9aliser des jeux de repr\u00e9sentations critiques et originales.\u00a0<\/p><p>Cette ann\u00e9e, les \u00e9tudiants ont \u00e9t\u00e9 amen\u00e9s \u00e0 produire (par bin\u00f4me) un travail de relev\u00e9 et d\u2019analyse graphique du Petit Th\u00e9\u00e2tre du ch\u00e2teau de Seneffe. R\u00e9alis\u00e9 en 1779 par l\u2019architecte Charles de Wailly, ce b\u00e2timent n\u00e9oclassique constitue la d\u00e9pendance la plus remarquable de l\u2019ensemble du domaine. En s\u2019appuyant sur les r\u00e9sultats issus du travail d\u2019acquisition num\u00e9rique, diff\u00e9rents moyens graphiques ont \u00e9t\u00e9 explor\u00e9s afin de produire une repr\u00e9sentation synth\u00e9tique issue de l\u2019analyse formelle.\u00a0<\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5,\r\n         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Lef\u00e8vre)<br \/><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 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Cette approche p\u00e9dagogique doit permettre \u00e0 l\u2019\u00e9tudiant de construire un point de vue sp\u00e9culatif sur des questions de repr\u00e9sentation auxquelles il sera confront\u00e9 dans un exercice de relev\u00e9.\u00a0<br \/>D\u2019autre part,\u202fles s\u00e9minaires d\u2019acquisition num\u00e9rique proposent une initiation th\u00e9orique et pratique aux techniques de relev\u00e9 lasergramm\u00e9trique et photogramm\u00e9triques. Au-del\u00e0 des enjeux technologiques, ce cours examine \u00e9galement l\u2019ensemble des outils analytiques rencontr\u00e9s par la documentation du patrimoine b\u00e2ti et la caract\u00e9risation de formes architecturales.\u00a0<\/p><p>\u00c0 travers l\u2019exp\u00e9rimentation de diff\u00e9rents dispositifs et m\u00e9thodes de num\u00e9risation, l\u2019objectif est de donner les moyens techniques et \u00e9pist\u00e9mologiques \u00e0 l\u2019\u00e9tudiant pour conduire une analyse approfondie sur un objet patrimonial et son contexte. Par ailleurs, il lui est demand\u00e9 de confronter le point de vue th\u00e9orique qu\u2019il aura construit avec ses travaux de num\u00e9risation afin de r\u00e9aliser des jeux de repr\u00e9sentations critiques et originales.\u00a0<\/p><p>Cette ann\u00e9e, les \u00e9tudiants ont \u00e9t\u00e9 amen\u00e9s \u00e0 produire (par bin\u00f4me) un travail de relev\u00e9 et d\u2019analyse graphique du Petit Th\u00e9\u00e2tre du ch\u00e2teau de Seneffe. R\u00e9alis\u00e9 en 1779 par l\u2019architecte Charles de Wailly, ce b\u00e2timent n\u00e9oclassique constitue la d\u00e9pendance la plus remarquable de l\u2019ensemble du domaine. 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