{"id":341,"date":"2020-07-01T13:39:33","date_gmt":"2020-06-16T19:49:14","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/htc-q1-2-2\/"},"modified":"2021-07-12T17:57:25","modified_gmt":"2021-07-12T15:57:25","slug":"htc-paris","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/htc-paris\/","title":{"rendered":"Option HTC II \/ Alice Paris"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":845,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[15,1,20],"tags":[],"class_list":["post-341","post","type-post","status-publish","has-post-thumbnail","hentry","category-cours-tfe-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Habiter une t\u00f4le ondul\u00e9e
Alice Paris
<\/em><\/h1>

Le Laboratoire Histoire Th\u00e9orie Critique propose une formation qui combine les sp\u00e9cificit\u00e9s de l\u2019approche th\u00e9orique caract\u00e9ristique des formations optionnelles et la recherche appliqu\u00e9e propre \u00e0 tout atelier du projet d\u2019architecture.<\/span><\/p>

Durant le second quadrimestre de cette ann\u00e9e 2019\u20132020, les \u00e9tudiant.e.s de l\u2019option ont \u00e9t\u00e9 invit\u00e9.e.s, comme dans l\u2019atelier associ\u00e9, \u00e0 se saisir de la proposition curatoriale faite par les architectes de ADVVT et leur \u00e9quipe pour la XVe<\/sup> Biennale Internationale d\u2019Architecture de Venise (2016). Intitul\u00e9e Bravoure Scarcity Beauty<\/em>, \u00a0celle-ci entendait questionner la contemporan\u00e9it\u00e9 du rapport des architectes \u00e0 l\u2019artisanat, dans des conditions g\u00e9n\u00e9rales de p\u00e9nurie.<\/span><\/p>

Le projet p\u00e9dagogique th\u00e9matique de ce deuxi\u00e8me quadrimestre proposait de reprendre cet appel et cette proposition comme pr\u00e9texte heuristique susceptible de soutenir notre regard sur la production architecturale d\u2019aujourd\u2019hui et d\u2019hier. A partir d\u2019une recherche personnelle prolongeant et d\u00e9passant les limites g\u00e9ographiques et temporelles de la proposition de 2016, les \u00e9tudiant.e.s ont r\u00e9dig\u00e9 un article. Vous trouverez ici les contributions singuli\u00e8res d\u2019Alice Nouvet et Alice Paris.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"shortcodeid\": 1594817705947\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Dans le cadre d\u2019un s\u00e9minaire o\u00f9 l\u2019on se demande \u00ab\u00a0ce que fait \u00bb un climat de raret\u00e9 \u00e0 ceux qui con\u00e7oivent et construisent, je souhaite me pencher sur une forme d\u2019habiter.
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Henk de Smet & Paul Vermeulen, Woning K te Z, 1990.<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 843,\r\n \"cont\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_-512x758.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_-265x393.jpg\"\r\n },\r\n \"w\": 563,\r\n \"h\": 834,\r\n \"ar\": 1.4813499111901,\r\n \"alt\": \"\",\r\n \"caption\": \"

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> Article complet en format PDF<\/span><\/a><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\"\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 1,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 5,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Habiter une t\u00f4le ondul\u00e9e
Alice Paris
<\/em><\/h1>

Le Laboratoire Histoire Th\u00e9orie Critique propose une formation qui combine les sp\u00e9cificit\u00e9s de l\u2019approche th\u00e9orique caract\u00e9ristique des formations optionnelles et la recherche appliqu\u00e9e propre \u00e0 tout atelier du projet d\u2019architecture.<\/span><\/p>

Durant le second quadrimestre de cette ann\u00e9e 2019\u20132020, les \u00e9tudiant.e.s de l\u2019option ont \u00e9t\u00e9 invit\u00e9.e.s, comme dans l\u2019atelier associ\u00e9, \u00e0 se saisir de la proposition curatoriale faite par les architectes de ADVVT et leur \u00e9quipe pour la XVe<\/sup> Biennale Internationale d\u2019Architecture de Venise (2016). Intitul\u00e9e Bravoure Scarcity Beauty<\/em>, \u00a0celle-ci entendait questionner la contemporan\u00e9it\u00e9 du rapport des architectes \u00e0 l\u2019artisanat, dans des conditions g\u00e9n\u00e9rales de p\u00e9nurie.<\/span><\/p>

Le projet p\u00e9dagogique th\u00e9matique de ce deuxi\u00e8me quadrimestre proposait de reprendre cet appel et cette proposition comme pr\u00e9texte heuristique susceptible de soutenir notre regard sur la production architecturale d\u2019aujourd\u2019hui et d\u2019hier. A partir d\u2019une recherche personnelle prolongeant et d\u00e9passant les limites g\u00e9ographiques et temporelles de la proposition de 2016, les \u00e9tudiant.e.s ont r\u00e9dig\u00e9 un article. Vous trouverez ici les contributions singuli\u00e8res d\u2019Alice Nouvet et Alice Paris.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 568,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": false,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"fading\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 842,\r\n \"cont\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_.jpeg\",\r\n \"_4096\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-4096x5500.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-3840x5156.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-3200x4297.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-2560x3438.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-1920x2578.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-1280x1719.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-1024x1375.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-768x1031.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-512x688.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.Image1_-265x356.jpeg\"\r\n },\r\n \"w\": 4915,\r\n \"h\": 6600,\r\n \"ar\": 1.3428280773143,\r\n \"alt\": \"\",\r\n \"caption\": \"

Henk de Smet & Paul Vermeulen, Woning K te Z, 1990.<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 843,\r\n \"cont\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_-512x758.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/07\/HTC.Option.Paris_.image2_-265x393.jpg\"\r\n },\r\n \"w\": 563,\r\n \"h\": 834,\r\n \"ar\": 1.4813499111901,\r\n \"alt\": \"\",\r\n \"caption\": \"

Osamu Ishiyama, House for a Pioneer, 1975.<\/p>\"\r\n }\r\n ]\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

> Article complet en format PDF<\/span><\/a><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Dans le cadre d\u2019un s\u00e9minaire o\u00f9 l\u2019on se demande \u00ab\u00a0ce que fait \u00bb un climat de raret\u00e9 \u00e0 ceux qui con\u00e7oivent et construisent, je souhaite me pencher sur une forme d\u2019habiter.
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