{"id":3708,"date":"2022-09-21T17:07:42","date_gmt":"2020-06-16T19:49:14","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/qa-magie-q1-2\/"},"modified":"2022-09-21T17:14:08","modified_gmt":"2022-09-21T15:14:08","slug":"qa-magie-q2","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/qa-magie-q2\/","title":{"rendered":"Architecture et Cin\u00e9ma | Magie et quotidien (Q2)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3711,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[29,1],"tags":[],"class_list":["post-3708","post","type-post","status-publish","has-post-thumbnail","hentry","category-cours-tfe-21-22","category-productions"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/ONLINE_Thumbnails-projets-CARNAVAL.jpg","grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">Magie et quotidien - De l'immat\u00e9riel au mat\u00e9riel<em> <\/em><br \/><span class=\\\"_Head2\\\">Question d\u2019Architecture et Cin\u00e9ma (Q2)<br \/><\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"shortcodeid\": 1594815909356,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>Michel de Certeau oppose aux strat\u00e9gies dont fait usage le propri\u00e9taire du \u00ab\u00a0th\u00e9\u00e2tre d\u2019op\u00e9rations\u00a0\u00bb, celui qui est le plus fort dans la soci\u00e9t\u00e9, celui qui s\u2019empare d\u2019une attitude politique dominatrice, les \u00ab\u00a0tactiques\u00a0\u00bb et les \u00ab\u00a0micro-libert\u00e9s\u00a0\u00bb op\u00e9r\u00e9s par les gens ordinaires qui prennent leur source dans le quotidien, car :<\/p><p>\u00ab\u00a0Le quotidien est parsem\u00e9 de merveilles, \u00e9cume aussi \u00e9blouissante \u2026que celle des \u00e9crivains ou des artistes. Sans nom propre, toutes sortes de langages donnent lieu \u00e0 ces f\u00eates \u00e9ph\u00e9m\u00e8res qui surgissent, disparaissent et reprennent\u00a0\u00bb.<\/p><p>Il est cependant indispensable d\u2019\u00eatre pr\u00e9par\u00e9 pour les voir, et cette pr\u00e9paration est celle d\u2019une ouverture qui permet d\u2019acqu\u00e9rir la \u00ab\u00a0libert\u00e9 int\u00e9rieure des non-conformistes\u00a0\u00bb, la \u00ab\u00a0sagesse de l\u2019illettr\u00e9\u00a0\u00bb, la puret\u00e9 du regard de l\u2019enfant. Op\u00e9rer une ouverture qui permet de retrouver des ruses venues d\u2019 \u00ab imm\u00e9moriales intelligences\u00bb, enracin\u00e9es dans le pass\u00e9 de l\u2019esp\u00e8ce, dans les \u00ab\u00a0lointains du vivant\u00a0\u00bb, dans l\u2019histoire des plantes ou des animaux (Aristote) . \u00ab\u00a0Elles assurent des continuit\u00e9s formelles et la permanence d\u2019une m\u00e9moire sans langage\u00a0depuis le fond des oc\u00e9ans jusqu\u2019aux rues de nos m\u00e9gapoles \u00bb.\u00a0 (L\u2019invention du quotidien, Michel de Certeau, p.65,)<\/p><p>Aborder cette \u00ab\u00a0m\u00e9moire sans langage\u00a0\u00bb d\u2019une \u00e9tendue universelle, n\u00e9cessitait une pr\u00e9paration. Op\u00e9rer un retour aux sources, un changement de regard, une r\u00e9vision du langage. 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Camillo \u00e9labore un mod\u00e8le \u00e0 la fois th\u00e9orique et pratique, concret (construction planifi\u00e9e d\u2019un th\u00e9\u00e2tre r\u00e9el) nomm\u00e9 \u00ab\u00a0th\u00e9\u00e2tre de la m\u00e9moire\u00a0\u00bb pour r\u00e9pondre \u00e0 deux importantes questions\u00a0:<\/p><ul><li>\u00ab\u00a0Comment transformer la pens\u00e9e en image et l\u2019image en m\u00e9moire\u00a0?\u00a0\u00bb<\/li><li>\u00ab\u00a0Comment r\u00e9duire la m\u00e9moire en un ensemble fini de repr\u00e9sentations et muer toute connaissance en spectacle\u00a0?\u00a0\u00bb<\/li><\/ul><p>Le choix du terrain est venu naturellement. Le 26 janvier 2022, le Carnaval de Binche, dont l\u2019existence s\u2019est p\u00e9rennis\u00e9e depuis le Moyen Age, patrimoine culturel immat\u00e9riel de l\u2019humanit\u00e9 (UNESCO, 2008), a \u00e9t\u00e9, pour une 2<sup>e<\/sup> ann\u00e9e cons\u00e9cutive, officiellement\u00a0\u00a0 emp\u00each\u00e9 de se manifester. Ce <em>film choral<\/em> a pris corps dans cette double immat\u00e9rialit\u00e9<\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"carousel\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 176,\r\n          \"carousel_options\": {\r\n            \"random\": false,\r\n            \"autoplay\": false,\r\n            \"showMultipleSlides\": false,\r\n            \"freeScroll\": false,\r\n            \"size\": \"aspectRatioOfFirstElement\",\r\n            \"slidesWidth\": \"null\",\r\n            \"transition\": \"fading\",\r\n            \"loop\": \"1\",\r\n            \"spaceBetween\": 0,\r\n            \"fillSlides\": false,\r\n            \"autoplayDelay\": 0,\r\n            \"transitionSpeed\": 300,\r\n            \"autoplaySpeed\": 3500\r\n          },\r\n          \"carousel\": [\r\n            {\r\n              \"type\": \"img\",\r\n              \"attid\": 3710,\r\n              \"cont\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval.jpg\",\r\n              \"sizes\": {\r\n                \"full\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval.jpg\",\r\n                \"_1024\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval-1024x567.jpg\",\r\n                \"_768\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval-768x425.jpg\",\r\n                \"_512\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval-512x283.jpg\",\r\n                \"_265\": \"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2022\/09\/carnaval-265x147.jpg\"\r\n              },\r\n              \"w\": 1274,\r\n              \"h\": 705,\r\n              \"ar\": 0.5533751962323391,\r\n              \"alt\": \"\"\r\n            }\r\n          ],\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"video\",\r\n          \"cont\": \"https:\/\/i.ytimg.com\/vi\/gYW2RwT-nAc\/hqdefault.jpg\",\r\n          \"align\": \"onethird\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1736,\r\n          \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"150\\\" src=\\\"\/\/www.youtube.com\/embed\/gYW2RwT-nAc?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n          \"url\": \"https:\/\/www.youtube.com\/watch?v=gYW2RwT-nAc\",\r\n          \"w\": 200,\r\n          \"h\": 150,\r\n          \"ar\": 0.75,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>Le non carnaval - 25'<br \/><em>Film choral r\u00e9alis\u00e9 par\u00a0: Arthur Battesti, Antoine Boudesocque, Johanna Fernandez, Sophie Le Mouellic, Laura Leger, Yacine Nour Eddine, Jean Geens, Sofia De Oliveira Rodrigues<\/em><em><\/em><\/p>\",\r\n          \"align\": \"onethird\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1737,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Head1\\\">Magie et quotidien - 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Sans nom propre, toutes sortes de langages donnent lieu \u00e0 ces f\u00eates \u00e9ph\u00e9m\u00e8res qui surgissent, disparaissent et reprennent\u00a0\u00bb.<\/p><p>Il est cependant indispensable d\u2019\u00eatre pr\u00e9par\u00e9 pour les voir, et cette pr\u00e9paration est celle d\u2019une ouverture qui permet d\u2019acqu\u00e9rir la \u00ab\u00a0libert\u00e9 int\u00e9rieure des non-conformistes\u00a0\u00bb, la \u00ab\u00a0sagesse de l\u2019illettr\u00e9\u00a0\u00bb, la puret\u00e9 du regard de l\u2019enfant. Op\u00e9rer une ouverture qui permet de retrouver des ruses venues d\u2019 \u00ab imm\u00e9moriales intelligences\u00bb, enracin\u00e9es dans le pass\u00e9 de l\u2019esp\u00e8ce, dans les \u00ab\u00a0lointains du vivant\u00a0\u00bb, dans l\u2019histoire des plantes ou des animaux (Aristote) . \u00ab\u00a0Elles assurent des continuit\u00e9s formelles et la permanence d\u2019une m\u00e9moire sans langage\u00a0depuis le fond des oc\u00e9ans jusqu\u2019aux rues de nos m\u00e9gapoles \u00bb.\u00a0 (L\u2019invention du quotidien, Michel de Certeau, p.65,)<\/p><p>Aborder cette \u00ab\u00a0m\u00e9moire sans langage\u00a0\u00bb d\u2019une \u00e9tendue universelle, n\u00e9cessitait une pr\u00e9paration. Op\u00e9rer un retour aux sources, un changement de regard, une r\u00e9vision du langage. De Certeau indique les \u00ab\u00a0figures \u00bb et les \u00ab\u00a0tours\u00a0\u00bb qu\u2019analyse la rh\u00e9torique.<\/p><p>Nous avons \u00e9tabli au premier quadrimestre un mod\u00e8le de penser la magie, qui s\u2019est rapproch\u00e9, du moins sur la forme, des mod\u00e8les que les connaisseurs de l\u2019art de l\u2019\u00e9loquence ont construits pour se figurer le monde de la connaissance, mod\u00e8le emprunt\u00e9 \u00e0 la rh\u00e9torique, en tant que science et que technique mn\u00e9monique.<\/p><p>Ainsi, au 16e si\u00e8cle, Giulio Camillo menait des \u00e9tudes tr\u00e8s pouss\u00e9es sur l\u2019\u00e9loquence classique en les confrontant aux influences occultes des philosophies sp\u00e9culatives, ce qui le porte \u00e9laborer un mod\u00e8le du \u00ab\u00a0syst\u00e8me du monde\u00a0\u00bb. Camillo \u00e9labore un mod\u00e8le \u00e0 la fois th\u00e9orique et pratique, concret (construction planifi\u00e9e d\u2019un th\u00e9\u00e2tre r\u00e9el) nomm\u00e9 \u00ab\u00a0th\u00e9\u00e2tre de la m\u00e9moire\u00a0\u00bb pour r\u00e9pondre \u00e0 deux importantes questions\u00a0:<\/p><ul><li>\u00ab\u00a0Comment transformer la pens\u00e9e en image et l\u2019image en m\u00e9moire\u00a0?\u00a0\u00bb<\/li><li>\u00ab\u00a0Comment r\u00e9duire la m\u00e9moire en un ensemble fini de repr\u00e9sentations et muer toute connaissance en spectacle\u00a0?\u00a0\u00bb<\/li><\/ul><p>Le choix du terrain est venu naturellement. Le 26 janvier 2022, le Carnaval de Binche, dont l\u2019existence s\u2019est p\u00e9rennis\u00e9e depuis le Moyen Age, patrimoine culturel immat\u00e9riel de l\u2019humanit\u00e9 (UNESCO, 2008), a \u00e9t\u00e9, pour une 2<sup>e<\/sup> ann\u00e9e cons\u00e9cutive, officiellement\u00a0\u00a0 emp\u00each\u00e9 de se manifester. Ce <em>film choral<\/em> a pris corps dans cette double immat\u00e9rialit\u00e9<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[shared_counts]\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"shortcodeid\": 1594815909356,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/3708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=3708"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/3708\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/3711"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=3708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=3708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=3708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}