{"id":3843,"date":"2023-09-05T16:10:27","date_gmt":"2023-09-05T14:10:27","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/cuma-2124-copy\/"},"modified":"2023-09-11T14:47:30","modified_gmt":"2023-09-11T12:47:30","slug":"cuma-2223","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/cuma-2223\/","title":{"rendered":"CUMA – Club d’Utilisation du Mat\u00e9riel Architectural"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3863,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[42],"tags":[],"class_list":["post-3843","post","type-post","status-publish","has-post-thumbnail","hentry","category-ateliers-22-23"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/cuma.jpg","grid":"{\r\n \"colCount\": 6,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CUMA - Club d'Utilisation du Mat\u00e9riel Architectural
<\/span>Sophie Dars, Thierry Decuypere, Paul Mouchet, Vinh Linh
<\/em><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"shortcodeid\": 1594817278063,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

L\u2019atelier CUMA aborde des th\u00e9matiques pouvant \u00eatre r\u00e9sum\u00e9es selon 3 champs de pr\u00e9occupations principaux :
1. Une attention aux productions mat\u00e9rielles sp\u00e9cifiques \u00e0 la discipline architecturale.
Nous entendons par productions mat\u00e9rielles, les moyens de repr\u00e9sentation, les dessins, les maquettes, les publications permettant de mettre \u00e0 l\u2019\u00e9preuve le projet avant sa concr\u00e9tisation. L\u2019atelier cherche \u00e0 donner plaisir et aisance dans ces savoirs artisanaux qui sont \u00e0 la fois les outils de recherche et de communication du fait architectural. La pratique de l\u2019architecture est con\u00e7ue comme acte de m\u00e9diation. L'architecte est le partenaire \u00e0 qui l\u2019on reconna\u00eet le droit et le savoir de pr\u00e9figurer l\u2019espace \u00e0 venir. Celui qui \u00e0 travers ses outils de repr\u00e9sentation peut rendre perceptible et partageable les qualit\u00e9s en puissance d\u2019une configuration spatiale. L\u2019atelier exige un grand investissement dans la qualit\u00e9 des productions physiques.
2. Une attention \u00e0 la culture architecturale et \u00e0 la recherche et la manipulation des r\u00e9f\u00e9rences.
Les projets sont toujours mus par une exigence de filiation, de parent\u00e9. Cette attention cherche \u00e0 aiguiller les \u00e9tudiants dans la recherche de ressources et leur manipulation, \u00e0 leur permettre de constituer un bagage intellectuel et de bonnes pratiques rendant l\u2019acte de conception moins solitaire. A la figure de l\u2019auteur h\u00e9ro\u00efque mu par son inspiration est pr\u00e9f\u00e9r\u00e9e celle d\u2019un amateur \u00e9clair\u00e9, d\u2019un architecte \u00e9diteur travaillant par cut-up et remix de mat\u00e9riel issu tant de la culture architecturale savante que populaire. L\u2019atelier exige un grand investissement dans la recherche de ressources th\u00e9oriques et iconographiques, dans leur analyse et leur actualisation.
3. Une attention aux enjeux du \u201cnouveau r\u00e9gime climatique\u201d et ses effets sur la discipline architecturale.
Les perspectives dramatiques en termes de climat et les tensions fortes sur les ressources imposent un pas de c\u00f4t\u00e9 important vis-\u00e0-vis de notre imaginaire architectural. Imaginaire encore aujourd\u2019hui essentiellement issu d\u2019une soci\u00e9t\u00e9 extractiviste dont l'aveuglement progressiste est \u00e0 largement interroger. L\u2019atelier essaye de questionner les leitmotivs fan\u00e9s de la conception architecturale actuelle en se pla\u00e7ant au niveau des cons\u00e9quences de l\u2019acte construit tant s ur les humains que les non-humains, en resituant la mati\u00e8re et la technique comme agent actif du processus de conception architecturale, en faisant des hypoth\u00e8ses sp\u00e9culatives sur une architecture gouvern\u00e9e par l\u2019attention au monde plut\u00f4t que par la volont\u00e9 de se distinguer. 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CUMA - Club d'Utilisation du Mat\u00e9riel Architectural
<\/span>Sophie Dars, Thierry Decuypere, Paul Mouchet, Vinh Linh
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Universit\u00e0 di Parma | CASAC Centro Studi e Archivio della Communicazione, BB003017S.\u00a0Senza titolo (No-Stop City. Progetto di Sistema metropolitano diffuso. Diagramma abitativo omogeno) (1969\/72)<\/span><\/p>\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

L\u2019atelier CUMA aborde des th\u00e9matiques pouvant \u00eatre r\u00e9sum\u00e9es selon 3 champs de pr\u00e9occupations principaux :
1. Une attention aux productions mat\u00e9rielles sp\u00e9cifiques \u00e0 la discipline architecturale.
Nous entendons par productions mat\u00e9rielles, les moyens de repr\u00e9sentation, les dessins, les maquettes, les publications permettant de mettre \u00e0 l\u2019\u00e9preuve le projet avant sa concr\u00e9tisation. L\u2019atelier cherche \u00e0 donner plaisir et aisance dans ces savoirs artisanaux qui sont \u00e0 la fois les outils de recherche et de communication du fait architectural. La pratique de l\u2019architecture est con\u00e7ue comme acte de m\u00e9diation. L'architecte est le partenaire \u00e0 qui l\u2019on reconna\u00eet le droit et le savoir de pr\u00e9figurer l\u2019espace \u00e0 venir. Celui qui \u00e0 travers ses outils de repr\u00e9sentation peut rendre perceptible et partageable les qualit\u00e9s en puissance d\u2019une configuration spatiale. L\u2019atelier exige un grand investissement dans la qualit\u00e9 des productions physiques.
2. Une attention \u00e0 la culture architecturale et \u00e0 la recherche et la manipulation des r\u00e9f\u00e9rences.
Les projets sont toujours mus par une exigence de filiation, de parent\u00e9. Cette attention cherche \u00e0 aiguiller les \u00e9tudiants dans la recherche de ressources et leur manipulation, \u00e0 leur permettre de constituer un bagage intellectuel et de bonnes pratiques rendant l\u2019acte de conception moins solitaire. A la figure de l\u2019auteur h\u00e9ro\u00efque mu par son inspiration est pr\u00e9f\u00e9r\u00e9e celle d\u2019un amateur \u00e9clair\u00e9, d\u2019un architecte \u00e9diteur travaillant par cut-up et remix de mat\u00e9riel issu tant de la culture architecturale savante que populaire. L\u2019atelier exige un grand investissement dans la recherche de ressources th\u00e9oriques et iconographiques, dans leur analyse et leur actualisation.
3. Une attention aux enjeux du \u201cnouveau r\u00e9gime climatique\u201d et ses effets sur la discipline architecturale.
Les perspectives dramatiques en termes de climat et les tensions fortes sur les ressources imposent un pas de c\u00f4t\u00e9 important vis-\u00e0-vis de notre imaginaire architectural. Imaginaire encore aujourd\u2019hui essentiellement issu d\u2019une soci\u00e9t\u00e9 extractiviste dont l'aveuglement progressiste est \u00e0 largement interroger. L\u2019atelier essaye de questionner les leitmotivs fan\u00e9s de la conception architecturale actuelle en se pla\u00e7ant au niveau des cons\u00e9quences de l\u2019acte construit tant s ur les humains que les non-humains, en resituant la mati\u00e8re et la technique comme agent actif du processus de conception architecturale, en faisant des hypoth\u00e8ses sp\u00e9culatives sur une architecture gouvern\u00e9e par l\u2019attention au monde plut\u00f4t que par la volont\u00e9 de se distinguer. L\u2019atelier exige un int\u00e9r\u00eat pour les questions techniques, philosophiques et politiques li\u00e9es au \u201cnouveau r\u00e9gime climatique\u201d et pour les auteurs porteurs de ces enjeux <\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 4,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"tablet\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"layoutType\": \"top-aligned\",\r\n \"elements\": [\r\n {\r\n \"type\": \"postThumbnail\",\r\n \"title\": \"CUMA | Margot Chambon, Hadrien Chevalier, Alice P\u00e9rier, Juliette Simeone\",\r\n \"postid\": 4414,\r\n \"descr\": \"\",\r\n \"link\": \"\/cuma_chambon-chevalier-perier-simeone\/\",\r\n \"attid\": 4428,\r\n \"ar\": 0.8421052631578947,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/09\/cuma-simeone-et-al.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/09\/cuma-simeone-et-al.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/09\/cuma-simeone-et-al-265x223.jpg\"\r\n },\r\n \"mo_sizes\": \"\",\r\n \"mo_h\": \"\",\r\n \"mo_w\": \"\",\r\n \"video_url\": \"\",\r\n \"video_w\": 0,\r\n \"video_h\": 0,\r\n \"tags\": []\r\n },\r\n {\r\n \"type\": \"postThumbnail\",\r\n \"title\": \"CUMA | Vanessa Boucher, Fiona Genatzy, Felix-Antoine Meilleur Roy, Capucine Rombi\",\r\n \"postid\": 4401,\r\n \"descr\": \"\",\r\n \"link\": \"\/cuma_boucher-genatzy-roy-rombi\/\",\r\n \"attid\": 4413,\r\n \"ar\": 0.8421052631578947,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/09\/cuma-boucher-genatzy-roy-rombi.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/09\/cuma-boucher-genatzy-roy-rombi.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/09\/cuma-boucher-genatzy-roy-rombi-265x223.jpg\"\r\n },\r\n \"mo_sizes\": \"\",\r\n \"mo_h\": \"\",\r\n \"mo_w\": \"\",\r\n \"video_url\": \"\",\r\n \"video_w\": 0,\r\n \"video_h\": 0,\r\n \"tags\": []\r\n },\r\n {\r\n \"type\": \"postThumbnail\",\r\n \"title\": \"CUMA | Louise Beauvois, Arthur Jouan, Th\u00e9o Laurent, Florent Van Lierde\",\r\n \"postid\": 3921,\r\n \"descr\": \"\",\r\n \"link\": \"\/cuma_beauvois-jouan-laurent-van-lierde\/\",\r\n \"attid\": 3951,\r\n \"ar\": 0.8421052631578947,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/09\/cuma-beauvois-jouan-laurent-van-lierde.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/09\/cuma-beauvois-jouan-laurent-van-lierde.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/09\/cuma-beauvois-jouan-laurent-van-lierde-265x223.jpg\"\r\n },\r\n \"mo_sizes\": \"\",\r\n \"mo_h\": \"\",\r\n \"mo_w\": \"\",\r\n \"video_url\": \"\",\r\n \"video_w\": 0,\r\n \"video_h\": 0,\r\n \"tags\": []\r\n }\r\n ]\r\n },\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/3843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=3843"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/3843\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/3863"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=3843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=3843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=3843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}