{"id":4257,"date":"2023-09-10T19:21:55","date_gmt":"2023-09-10T17:21:55","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/article-pauline-lefbvre-23-copy\/"},"modified":"2024-01-11T10:49:08","modified_gmt":"2024-01-11T09:49:08","slug":"article-apolline-vranken-23","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/article-apolline-vranken-23\/","title":{"rendered":"Article | Le female gaze comme pratique conceptuelle en architecture (A. Vranken)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[36,1],"tags":[],"class_list":["post-4257","post","type-post","status-publish","has-post-thumbnail","hentry","category-culture-recherche-22-23","category-productions"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/article-apolline.jpg","grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 5\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\"><span style=\\\"color: #000000;\\\"><span>Simone Guillissen-Hoa (1916-1996) : le female gaze comme pratique conceptuelle en architectur<\/span>e<\/span><em><span style=\\\"color: #000000;\\\"><br \/>Apolline Vranken<br \/><\/span><\/em><span style=\\\"color: #000000;\\\"><span style=\\\"font-size: 16px;\\\">in <a rel=\\\"noopener\\\" href=\\\"https:\/\/journal.dampress.org\/issues\/femmes-de-sciences\\\" target=\\\"_blank\\\">Renon, Anne-Lyse (dir.), <i>Femmes de sciences<\/i>, <i>Revue Design Arts Medias<\/i>, 06\/2023 (acc\u00e8s libre)<\/a><\/span><\/span><em><span style=\\\"color: #000000;\\\"><br \/><\/span><\/em><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"shortcodeid\": 1594815909356,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p><span>L\u2019\u00e9volution th\u00e9orique du concept de <i>female gaze<\/i> en architecture autorise \u00e0 appr\u00e9hender des savoirs de mani\u00e8re incarn\u00e9e (embodiment) et \u00e0 penser une nouvelle dimension \u2014 sensorielle, ph\u00e9nom\u00e9nologique \u2014 de l\u2019objectivit\u00e9 f\u00e9ministe. <i>In fine<\/i>, elle permet d\u2019identifier chez l'architecte moderniste belge Simone Guillissen-Hoa (1916-1996) et ses contemporaines l\u2019existence d'une conscience collective f\u00e9ministe. L'article analyse, par le prisme du<i> female gaze<\/i>, la conception architecturale ainsi que de la r\u00e9ception par les m\u00e9dias (la presse sp\u00e9cialis\u00e9e, f\u00e9minine et f\u00e9ministe) de la maison Watelet (Bruxelles, 1955-1956), r\u00e9alisation de Simone Guillissen-Hoa \u2014 sujet de notre \u00e9tude tant comme praticienne que comme objet de repr\u00e9sentation. A la suite de l\u2019identification des limites, freins et leviers du <i>female gaze <\/i>comme pratique conceptuelle, l'hypoth\u00e8se d'un<i> double gaze<\/i>, soit l'alternance du <i>female <\/i>et du<i> male gaze<\/i> dans une m\u00eame \u0153uvre (cin\u00e9matographique, architecturale, picturale, etc.), comme strat\u00e9gie d\u2019\u00e9mergence professionnelle de l\u2019architecte Simone Guillissen-Hoa, sera explor\u00e9e.<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      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\"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-10-a-19.21.33-265x312.png\"\r\n              },\r\n              \"w\": 1234,\r\n              \"h\": 1454,\r\n              \"ar\": 1.1782820097244733,\r\n              \"alt\": \"\",\r\n              \"imagelink\": {\r\n                \"url\": \"https:\/\/journal.dampress.org\/issues\/femmes-de-sciences\/simone-guillissen-hoa-1916-1996-le-female-gaze-comme-pratique-conceptuelle-en-architecture\",\r\n                \"id\": 0,\r\n                \"type\": \"\",\r\n                \"newtab\": true,\r\n                \"title\": \"\",\r\n                \"hoverimageid\": null,\r\n                \"hoverimagesmallsrc\": \"\"\r\n              }\r\n            }\r\n          ],\r\n          \"absolute_position\": false,\r\n          \"caption\": \"<p><a rel=\\\"noopener\\\" href=\\\"https:\/\/journal.dampress.org\/issues\/femmes-de-sciences\/simone-guillissen-hoa-1916-1996-le-female-gaze-comme-pratique-conceptuelle-en-architecture\\\" target=\\\"_blank\\\">Consulter l'article (acc\u00e8s libre)<\/a><br \/><span style=\\\"font-size: 11px;\\\">(image \u00a9 <a rel=\\\"noopener\\\" href=\\\"https:\/\/monument.heritage.brussels\/fr\/buildings\/37443\\\" target=\\\"_blank\\\">Inventaire du patrimoine architectural en R\u00e9gion de Bruxelles-Capitale<\/a>)<\/span><\/p>\"\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n  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(acc\u00e8s libre)<\/a><\/span><\/span><em><span style=\\\"color: #000000;\\\"><br \/><\/span><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 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\"\",\r\n            \"hoverimageid\": null,\r\n            \"hoverimagesmallsrc\": \"\"\r\n          }\r\n        }\r\n      ],\r\n      \"absolute_position\": false,\r\n      \"caption\": \"<p><a rel=\\\"noopener\\\" href=\\\"https:\/\/journal.dampress.org\/issues\/femmes-de-sciences\/simone-guillissen-hoa-1916-1996-le-female-gaze-comme-pratique-conceptuelle-en-architecture\\\" target=\\\"_blank\\\">Consulter l'article (acc\u00e8s libre)<\/a><br \/><span style=\\\"font-size: 11px;\\\">(image \u00a9 <a rel=\\\"noopener\\\" href=\\\"https:\/\/monument.heritage.brussels\/fr\/buildings\/37443\\\" target=\\\"_blank\\\">Inventaire du patrimoine architectural en R\u00e9gion de Bruxelles-Capitale<\/a>)<\/span><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span>L\u2019\u00e9volution th\u00e9orique du concept de <i>female gaze<\/i> en architecture autorise \u00e0 appr\u00e9hender des savoirs de mani\u00e8re incarn\u00e9e (embodiment) et \u00e0 penser une nouvelle dimension \u2014 sensorielle, ph\u00e9nom\u00e9nologique \u2014 de l\u2019objectivit\u00e9 f\u00e9ministe. <i>In fine<\/i>, elle permet d\u2019identifier chez l'architecte moderniste belge Simone Guillissen-Hoa (1916-1996) et ses contemporaines l\u2019existence d'une conscience collective f\u00e9ministe. L'article analyse, par le prisme du<i> female gaze<\/i>, la conception architecturale ainsi que de la r\u00e9ception par les m\u00e9dias (la presse sp\u00e9cialis\u00e9e, f\u00e9minine et f\u00e9ministe) de la maison Watelet (Bruxelles, 1955-1956), r\u00e9alisation de Simone Guillissen-Hoa \u2014 sujet de notre \u00e9tude tant comme praticienne que comme objet de repr\u00e9sentation. A la suite de l\u2019identification des limites, freins et leviers du <i>female gaze <\/i>comme pratique conceptuelle, l'hypoth\u00e8se d'un<i> double gaze<\/i>, soit l'alternance du <i>female <\/i>et du<i> male gaze<\/i> dans une m\u00eame \u0153uvre (cin\u00e9matographique, architecturale, picturale, etc.), comme strat\u00e9gie d\u2019\u00e9mergence professionnelle de l\u2019architecte Simone Guillissen-Hoa, sera explor\u00e9e.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[shared_counts]\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"shortcodeid\": 1594815909356,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/4257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=4257"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/4257\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/4260"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=4257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=4257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=4257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}