{"id":4306,"date":"2023-09-11T12:57:22","date_gmt":"2023-09-11T10:57:22","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/qa-ac-boudesocque-copy\/"},"modified":"2023-09-11T12:59:32","modified_gmt":"2023-09-11T10:59:32","slug":"qa-ac-cliquennois","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/qa-ac-cliquennois\/","title":{"rendered":"QA Architecture et Cin\u00e9ma | Aude Cliquennois"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[38,1],"tags":[],"class_list":["post-4306","post","type-post","status-publish","has-post-thumbnail","hentry","category-cours-tfe-22-23","category-productions"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/ac-enragees.jpg","grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 1\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\"><span lang=\\\"FR\\\">Enrag\u00e9es<br \/><em>Aude Cliquennois<br \/><span class=\\\"_Head2\\\">Question d'Architecture et Cin\u00e9ma<\/span><br \/><\/em><\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 6,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5,\r\n          \"shortcodeid\": 1594817507803,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p><em>L<span>e cours de l\u2019option architecture et cin\u00e9ma a mis en tension deux notions : la travers\u00e9e (lente) urbaine et la performance. Des gestes du quotidien, observ\u00e9s, cadr\u00e9s, r\u00e9it\u00e9r\u00e9s deviennent performatifs.<\/span> <span>Des fragments de vie quotidienne qui, observ\u00e9s, conscientis\u00e9s transforment la rue, la place, les parcs urbains en tout autant de sc\u00e8nes de la vie quotidienne. Une marche performative, une occurrence au tournant de la rue, la performance suscite l\u2019imaginaire<\/span> <span>et aiguise le regard. Les sons deviennent musique. La dimension performative d\u2019une travers\u00e9e de ville provoque le r\u00e9el \u00e0 s\u2019identifier et stimule de l\u2019imaginaire. 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Des gestes du quotidien, observ\u00e9s, cadr\u00e9s, r\u00e9it\u00e9r\u00e9s deviennent performatifs.<\/span> <span>Des fragments de vie quotidienne qui, observ\u00e9s, conscientis\u00e9s transforment la rue, la place, les parcs urbains en tout autant de sc\u00e8nes de la vie quotidienne. Une marche performative, une occurrence au tournant de la rue, la performance suscite l\u2019imaginaire<\/span> <span>et aiguise le regard. Les sons deviennent musique. La dimension performative d\u2019une travers\u00e9e de ville provoque le r\u00e9el \u00e0 s\u2019identifier et stimule de l\u2019imaginaire. 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