{"id":4429,"date":"2023-09-11T14:50:45","date_gmt":"2023-09-11T12:50:45","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/mml_dandoy-soller-copy\/"},"modified":"2023-09-15T11:15:03","modified_gmt":"2023-09-15T09:15:03","slug":"mml_steuernagel-krause","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/mml_steuernagel-krause\/","title":{"rendered":"MML | Jasper Krause, Hendrik Steuernagel"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[1,37],"tags":[],"class_list":["post-4429","post","type-post","status-publish","has-post-thumbnail","hentry","category-productions","category-proj-22-23"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/mml-steurnagel-krause.jpg","grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Jasper Krause, Hendrik Steuernagel<\/span>
<\/i><\/span><\/span><\/span>MML<\/a><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"shortcodeid\": 1594815909356,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Matera, dans le sud de l'Italie, est c\u00e9l\u00e8bre pour ses maisons troglodytes, habit\u00e9es jusqu'en 1950, dans le quartier des Sassi, au bord de la gorge de la Gravina, qui caract\u00e9rise la ville.<\/p>

Au sud se trouve un quartier r\u00e9sidentiel qui s'\u00e9tend le long de ces gorges. Sur la colline entre la Gravina et le quartier r\u00e9sidentiel se trouve un complexe compos\u00e9 d'un ancien couvent avec une petite \u00e9glise et une annexe de cin\u00e9ma datant des ann\u00e9es 1950. Apr\u00e8s quelques modifications, le monast\u00e8rere abrite dd\u00e9sormais un lyc\u00e9e d'art, tandis que le cin\u00e9ma et l'\u00e9glise sont abandonn\u00e9s.<\/p>

Tel un ch\u00e2teau, ce complexe assez ferm\u00e9 avec ses contreforts de pierre se dresse entre les habitants et la vue. Ce n'est pas tr\u00e8s accueillant, ni pour les enfants, ni pour les habitants, ni pour les milliers de touristes qui se prom\u00e8nent le long de la Gravina.<\/p>

Notre projet devait cr\u00e9er une interface entre la Gravina et le quartier, les habitants de Matera et le tourisme culturel, les \u00e9l\u00e8ves et les personnes \u00e2g\u00e9es, et entre l'int\u00e9rieur et l'ext\u00e9rieur, le solide et le mou, le ferm\u00e9 et l'ouvert, le rigide et le mobile.<\/p>

Dans l'existant, nous avons \u00e9labor\u00e9 5 structures comme des pavillons qui, contrairement \u00e0 la rigidit\u00e9 du monast\u00e8re et du cin\u00e9ma, invitent \u00e0 l'appropriation par leur grande flexibilit\u00e9.<\/p>

Dans l'esprit du complexe toujours en expansion du monast\u00e8re, ils s'ins\u00e8rent dans, sur ou contre l'existant et forment un nouveau chemin \u00e0 travers l'ensemble du quartier, \u00e0 la vue sur la Gravina. Le tissu et les \u00e9chafaudages \u00e9largissent la roche avec des \u00e9l\u00e9ments ludiques et mouvants.<\/p>

Dans l'ancien cin\u00e9ma, un nouveau b\u00e2timent autonome avec un espace pour les salles de classe tend diff\u00e9rentes nouvelles zones - exposition et ateliers en bas, terrasse sur le toit avec bar pour la soir\u00e9e en haut.<\/p>

L'\u00e9glise sera r\u00e9am\u00e9nag\u00e9e en archives et en biblioth\u00e8que pour l'\u00e9cole et le quartier. Une petite tour est cr\u00e9\u00e9e avec une r\u00e9sidence et une possibilit\u00e9 de vue - voir et \u00eatre vu comme une deuxi\u00e8me tour et un point de rep\u00e8re dans la ville. La cantine nouvellement cr\u00e9\u00e9e s'\u00e9tend vers l'ext\u00e9rieur, tout comme les salles de classe au-dessus, et une salle de classe ext\u00e9rieure donne sur la Gravina.<\/span><\/p>

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Jasper Krause, Hendrik Steuernagel<\/span>
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960,\r\n \"h\": 1248,\r\n \"ar\": 1.3,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Matera, dans le sud de l'Italie, est c\u00e9l\u00e8bre pour ses maisons troglodytes, habit\u00e9es jusqu'en 1950, dans le quartier des Sassi, au bord de la gorge de la Gravina, qui caract\u00e9rise la ville.<\/p>

Au sud se trouve un quartier r\u00e9sidentiel qui s'\u00e9tend le long de ces gorges. Sur la colline entre la Gravina et le quartier r\u00e9sidentiel se trouve un complexe compos\u00e9 d'un ancien couvent avec une petite \u00e9glise et une annexe de cin\u00e9ma datant des ann\u00e9es 1950. Apr\u00e8s quelques modifications, le monast\u00e8rere abrite dd\u00e9sormais un lyc\u00e9e d'art, tandis que le cin\u00e9ma et l'\u00e9glise sont abandonn\u00e9s.<\/p>

Tel un ch\u00e2teau, ce complexe assez ferm\u00e9 avec ses contreforts de pierre se dresse entre les habitants et la vue. Ce n'est pas tr\u00e8s accueillant, ni pour les enfants, ni pour les habitants, ni pour les milliers de touristes qui se prom\u00e8nent le long de la Gravina.<\/p>

Notre projet devait cr\u00e9er une interface entre la Gravina et le quartier, les habitants de Matera et le tourisme culturel, les \u00e9l\u00e8ves et les personnes \u00e2g\u00e9es, et entre l'int\u00e9rieur et l'ext\u00e9rieur, le solide et le mou, le ferm\u00e9 et l'ouvert, le rigide et le mobile.<\/p>

Dans l'existant, nous avons \u00e9labor\u00e9 5 structures comme des pavillons qui, contrairement \u00e0 la rigidit\u00e9 du monast\u00e8re et du cin\u00e9ma, invitent \u00e0 l'appropriation par leur grande flexibilit\u00e9.<\/p>

Dans l'esprit du complexe toujours en expansion du monast\u00e8re, ils s'ins\u00e8rent dans, sur ou contre l'existant et forment un nouveau chemin \u00e0 travers l'ensemble du quartier, \u00e0 la vue sur la Gravina. Le tissu et les \u00e9chafaudages \u00e9largissent la roche avec des \u00e9l\u00e9ments ludiques et mouvants.<\/p>

Dans l'ancien cin\u00e9ma, un nouveau b\u00e2timent autonome avec un espace pour les salles de classe tend diff\u00e9rentes nouvelles zones - exposition et ateliers en bas, terrasse sur le toit avec bar pour la soir\u00e9e en haut.<\/p>

L'\u00e9glise sera r\u00e9am\u00e9nag\u00e9e en archives et en biblioth\u00e8que pour l'\u00e9cole et le quartier. Une petite tour est cr\u00e9\u00e9e avec une r\u00e9sidence et une possibilit\u00e9 de vue - voir et \u00eatre vu comme une deuxi\u00e8me tour et un point de rep\u00e8re dans la ville. La cantine nouvellement cr\u00e9\u00e9e s'\u00e9tend vers l'ext\u00e9rieur, tout comme les salles de classe au-dessus, et une salle de classe ext\u00e9rieure donne sur la Gravina.<\/span><\/p>

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