{"id":4715,"date":"2023-09-12T17:54:00","date_gmt":"2023-09-12T15:54:00","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/expo-patrimoine-moderne-copy\/"},"modified":"2023-09-12T19:09:15","modified_gmt":"2023-09-12T17:09:15","slug":"expo-denaturing","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/expo-denaturing\/","title":{"rendered":"Expo | Denaturing the city&rsquo;s future"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4724,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[36,1],"tags":[],"class_list":["post-4715","post","type-post","status-publish","has-post-thumbnail","hentry","category-culture-recherche-22-23","category-productions"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/expo-nature.jpg","grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 5\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">Denaturing the city's future<em><span style=\\\"color: #000000;\\\"><br \/>coord. Nadia Casabella<br \/><span class=\\\"_Head2\\\" style=\\\"font-size: 16px;\\\">Travail produit dans le cadre du workshop SI<\/span><\/span><\/em><em><span style=\\\"color: #000000;\\\"><span class=\\\"_Head2\\\" style=\\\"font-size: 16px;\\\">P <br \/>\\\"Anticipating the city\u2019s future in an entangled world\\\"<br \/>Exposition \u00e0 la Maison des Arts (Schaerbeek)<br \/><\/span><\/span><\/em><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          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       {\r\n                \"cont\": \"<p><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Val\u00e9rie Adant<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Tristan Bombart<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Lina Boumahdi<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Lucas Boute<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gaia Cotti<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Jeremy Cuvelier<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Vasko Demerdziev<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Sofia Diaz<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gabrielle Dinsart<\/span><\/em><\/p>\",\r\n                \"type\": \"text\"\r\n              },\r\n              {\r\n                \"cont\": \"<p><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gillian Fiallos Revelo<br \/>David Gouvet<br \/>Angelica Ianovici<br \/>Felipe Ladr\u00f2n de Guevara<br \/>Ma\u00eflys Lechtchev<br \/>Etienne Poinas<br \/>Milica Tamamovic<br \/>Zoe Wattez<br \/>Catherine Yang<\/span><\/em><\/p>\",\r\n                \"type\": \"text\"\r\n              },\r\n              {\r\n                \"cont\": \"<p><span style=\\\"font-family: 'EB Garamond', serif;\\\"><br \/>Vid\u00e9os: Aude Cliquennois<\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              }\r\n            ],\r\n            \"addtostart\": false,\r\n            \"randomOrder\": false\r\n          },\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"shortcodeid\": 1594815909356,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"section\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>\u201cIn this world, it is not so much the case that the possibility of a future is acertained from the point of view of the <\/span><span>present, but that reality is always already entangled with the <\/span><span>\u2018not-yet\u2019, the \u2018yet-to-come\u2019, the \u2018what-if\u2019, the \u2018already-here, that is, with a sense of the (im)possible. (...) Because it is impossible to know in advance just in which direction the <\/span><span>future will unfold, our obligation is to experiment, to travel, to explore the contours, the possibilities.\u201d (Speculative Re<\/span><span>search: The Lure of Possible Futures, by Wilkie, Savransky <\/span><span>&amp; Rosengarten, 2017:8) <\/span><\/p><p><span>Our current crisis is not only about the environment and the <\/span><span>climate, but it is also a crisis of the imagination. <\/span><span>By expanding how we imagine futures, we can see the present <\/span><span>differently and change what we think or do now. <\/span><\/p><p><span>For five days (24-29\/03\/2023), eighteen students of the ULB <\/span><span>Faculty of Architecture accepted the invitation to collectively <\/span><span>dream of futures that would help us suturing the \u201cgreat scis<\/span><span>sion\u201d between humans and the living earth, between culture and nature. This scission is a legacy of modernity and is at <\/span><span>the root of the construction of contemporary cities. <\/span><\/p><p><span>This exhibition shows the stories and hand-drawings pro<\/span><span>duced during those days while listening or partaking in the discussion with a group of guests and among the students <\/span><span>themselves, in a humble attempt to anticipate a more-than-human urban future. <\/span><\/p><\/div><\/div><\/div><\/div>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      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Nadia Casabella<br \/><span class=\\\"_Head2\\\" style=\\\"font-size: 16px;\\\">Travail produit dans le cadre du workshop SI<\/span><\/span><\/em><em><span style=\\\"color: #000000;\\\"><span class=\\\"_Head2\\\" style=\\\"font-size: 16px;\\\">P <br \/>\\\"Anticipating the city\u2019s future in an entangled world\\\"<br \/>Exposition \u00e0 la Maison des Arts (Schaerbeek)<br \/><\/span><\/span><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      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serif;\\\">Tristan Bombart<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Lina Boumahdi<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Lucas Boute<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gaia Cotti<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Jeremy Cuvelier<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Vasko Demerdziev<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Sofia Diaz<\/span><\/em><br \/><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gabrielle Dinsart<\/span><\/em><\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p><em><span style=\\\"font-family: 'EB Garamond', serif;\\\">Gillian Fiallos Revelo<br \/>David Gouvet<br \/>Angelica Ianovici<br \/>Felipe Ladr\u00f2n de Guevara<br \/>Ma\u00eflys Lechtchev<br \/>Etienne Poinas<br \/>Milica Tamamovic<br \/>Zoe Wattez<br \/>Catherine Yang<\/span><\/em><\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p><span style=\\\"font-family: 'EB Garamond', serif;\\\"><br \/>Vid\u00e9os: Aude Cliquennois<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ],\r\n        \"addtostart\": false,\r\n        \"randomOrder\": false\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/Rs1Nze6_Ol4\/hqdefault.jpg\",\r\n      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\"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-1920x3413.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-1280x2276.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-1024x1820.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-768x1365.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-512x910.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2023\/09\/PXL_20230628_081338502-265x471.jpg\"\r\n          },\r\n          \"w\": 2268,\r\n          \"h\": 4032,\r\n          \"ar\": 1.7777777777777777,\r\n          \"alt\": \"\"\r\n        }\r\n      ],\r\n      \"absolute_position\": false,\r\n      \"caption\": \"<p><a rel=\\\"noopener\\\" href=\\\"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2023\/09\/27-06-2023-Summer-Assembly-leaflet-bis.pdf\\\" target=\\\"_blank\\\">Consulter le d\u00e9pliant de pr\u00e9sentation.<\/a><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"section\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>\u201cIn this world, it is not so much the case that the possibility of a future is acertained from the point of view of the <\/span><span>present, but that reality is always already entangled with the <\/span><span>\u2018not-yet\u2019, the \u2018yet-to-come\u2019, the \u2018what-if\u2019, the \u2018already-here, that is, with a sense of the (im)possible. (...) Because it is impossible to know in advance just in which direction the <\/span><span>future will unfold, our obligation is to experiment, to travel, to explore the contours, the possibilities.\u201d (Speculative Re<\/span><span>search: The Lure of Possible Futures, by Wilkie, Savransky <\/span><span>&amp; Rosengarten, 2017:8) <\/span><\/p><p><span>Our current crisis is not only about the environment and the <\/span><span>climate, but it is also a crisis of the imagination. <\/span><span>By expanding how we imagine futures, we can see the present <\/span><span>differently and change what we think or do now. <\/span><\/p><p><span>For five days (24-29\/03\/2023), eighteen students of the ULB <\/span><span>Faculty of Architecture accepted the invitation to collectively <\/span><span>dream of futures that would help us suturing the \u201cgreat scis<\/span><span>sion\u201d between humans and the living earth, between culture and nature. This scission is a legacy of modernity and is at <\/span><span>the root of the construction of contemporary cities. <\/span><\/p><p><span>This exhibition shows the stories and hand-drawings pro<\/span><span>duced during those days while listening or partaking in the discussion with a group of guests and among the students <\/span><span>themselves, in a humble attempt to anticipate a more-than-human urban future. <\/span><\/p><\/div><\/div><\/div><\/div>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[shared_counts]\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"shortcodeid\": 1594815909356,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/4715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=4715"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/4715\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/4724"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=4715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=4715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=4715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}