{"id":565,"date":"2020-07-06T18:22:00","date_gmt":"2020-07-06T16:22:00","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/?p=565"},"modified":"2021-04-21T18:28:37","modified_gmt":"2021-04-21T16:28:37","slug":"htc-ii-collectif","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/htc-ii-collectif\/","title":{"rendered":"HTC II \/ Collectif"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[1,20,9],"tags":[],"class_list":["post-565","post","type-post","status-publish","has-post-thumbnail","hentry","category-productions","category-prod-19-20","category-projets-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">Triptyques (atlas)<br \/><a href=\\\"http:\/\/archiexpo.ulb.be\/wordpress\/htc\/\\\" data-type=\\\"project\\\" data-id=\\\"68\\\" data-title=\\\"Histoire, Th\u00e9orie, Critique\\\" data-catid=\\\"[8,1]\\\"><span class=\\\"_Head2\\\">Histoire, Th\u00e9orie, Critique II<\/span><\/a><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 6\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"shortcodeid\": 1594816705611\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>Durant le second quadrimestre de cette ann\u00e9e acad\u00e9mique 2019-2020, les \u00e9tudiant.e.s de l\u2019atelier HTC ont \u00e9t\u00e9 invit\u00e9.e.s \u00e0 se saisir de la proposition curatoriale faite par les architectes de ADVVT, les architectes d\u2019int\u00e9rieur Doorzon et le photographe\/architecte Filip Dujardin pour la XVe Biennale Internationale d\u2019Architecture de Venise (2016). Intitul\u00e9e \u00ab\u00a0Bravoure Scarcity Beauty\u00a0\u00bb, celle-ci entendait questionner la contemporan\u00e9it\u00e9 du rapport des architectes \u00e0 l\u2019artisanat, dans des conditions g\u00e9n\u00e9rales de p\u00e9nurie. Le projet p\u00e9dagogique th\u00e9matique proposait de reprendre cet appel et cette proposition comme pr\u00e9texte heuristique susceptible de soutenir notre regard sur la production architecturale d\u2019aujourd\u2019hui et d\u2019hier mais \u00e9galement comme mode op\u00e9ratoire potentiel pour la conception architecturale.<\/p><p>Les \u00e9tudiant.e.s ont ainsi repris \u00e0 leur compte l\u2019intuition de la \u00ab\u00a0Bravoure Team\u00a0\u00bb, et appliqu\u00e9 de mani\u00e8re critique le dispositif consistant \u00e0 identifier des fragments d\u2019architecture pouvant \u00eatre envisag\u00e9s comme autant de formes de bravoures architecturales \u00e0 l\u2019heure de la p\u00e9nurie. A partir d\u2019une recherche prolongeant et d\u00e9passant les limites g\u00e9ographiques et temporelles de la proposition de 2016, les \u00e9tudiant.e.s ont constitu\u00e9 individuellement et collectivement un atlas de triptyques augmentant la proposition d\u2019origine, elle-m\u00eame tripartite. Parall\u00e8lement, ils et elles ont con\u00e7u un projet individuel convoquant certains des modes op\u00e9ratoires identifi\u00e9s dans cet atlas.<\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"config\": {\r\n            \"desktop\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"tablet\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"phone\": {\r\n              \"colCount\": 1,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1\r\n            },\r\n            \"layoutType\": \"masonry\",\r\n            \"elements\": [\r\n              {\r\n                \"cont\": \"<p><span class=\\\"_Caption\\\">Juliette Besset<\/span><br \/><span class=\\\"_Caption\\\">Amaury Caeyman<\/span><br \/><span class=\\\"_Caption\\\">Thibault de Smet d'Olbecke<\/span><br \/><span class=\\\"_Caption\\\">Julien Hermant<\/span><br \/><span class=\\\"_Caption\\\">Anthony Millour<\/span><br \/><span class=\\\"_Caption\\\">Isabela Mistodi<\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              },\r\n              {\r\n                \"cont\": \"<p><span class=\\\"_Caption\\\">Carla Muyle<\/span><br \/><span class=\\\"_Caption\\\">Alicia Piazza<\/span><br \/><span class=\\\"_Caption\\\">Mihai Pop<\/span><br \/><span class=\\\"_Caption\\\">Cl\u00e9mence Ridel<\/span><br \/><span class=\\\"_Caption\\\">Gregorio Sicurezza<\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              }\r\n            ]\r\n          }\r\n        }\r\n      ],\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/07\/triptyques.jpg\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 949,\r\n          \"attid\": 566,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/07\/triptyques.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/07\/triptyques-768x646.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/07\/triptyques-512x431.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/07\/triptyques-265x223.jpg\"\r\n          },\r\n          \"w\": 990,\r\n          \"h\": 833,\r\n          \"ar\": 0.84141414141414,\r\n          \"alt\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/HTC.01-AtelierQ2-ATLAS-light-1.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">T\u00e9l\u00e9charger l'atlas des triptyques (11Mb)<\/a><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 10\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 3,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 950,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    [],\r\n    [],\r\n    [],\r\n    [],\r\n    [],\r\n    []\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Head1\\\">Triptyques (atlas)<br \/><a href=\\\"http:\/\/archiexpo.ulb.be\/wordpress\/htc\/\\\" data-type=\\\"project\\\" data-id=\\\"68\\\" data-title=\\\"Histoire, Th\u00e9orie, Critique\\\" data-catid=\\\"[8,1]\\\"><span class=\\\"_Head2\\\">Histoire, Th\u00e9orie, Critique II<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2020\/07\/triptyques.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 949,\r\n      \"attid\": 566,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2020\/07\/triptyques.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2020\/07\/triptyques-768x646.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2020\/07\/triptyques-512x431.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2020\/07\/triptyques-265x223.jpg\"\r\n      },\r\n      \"w\": 990,\r\n      \"h\": 833,\r\n      \"ar\": 0.84141414141414,\r\n      \"alt\": \"\",\r\n      \"imagelink\": {\r\n        \"url\": \"\/wp-content\/uploads\/2020\/07\/HTC.01-AtelierQ2-ATLAS-light-1.pdf\",\r\n        \"id\": null,\r\n        \"type\": \"\",\r\n        \"newtab\": false,\r\n        \"title\": \"\",\r\n        \"hoverimageid\": null,\r\n        \"hoverimagesmallsrc\": \"\"\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"http:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/HTC.01-AtelierQ2-ATLAS-light-1.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">T\u00e9l\u00e9charger l'atlas des triptyques (11Mb)<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Durant le second quadrimestre de cette ann\u00e9e acad\u00e9mique 2019-2020, les \u00e9tudiant.e.s de l\u2019atelier HTC ont \u00e9t\u00e9 invit\u00e9.e.s \u00e0 se saisir de la proposition curatoriale faite par les architectes de ADVVT, les architectes d\u2019int\u00e9rieur Doorzon et le photographe\/architecte Filip Dujardin pour la XVe Biennale Internationale d\u2019Architecture de Venise (2016). Intitul\u00e9e \u00ab\u00a0Bravoure Scarcity Beauty\u00a0\u00bb, celle-ci entendait questionner la contemporan\u00e9it\u00e9 du rapport des architectes \u00e0 l\u2019artisanat, dans des conditions g\u00e9n\u00e9rales de p\u00e9nurie. Le projet p\u00e9dagogique th\u00e9matique proposait de reprendre cet appel et cette proposition comme pr\u00e9texte heuristique susceptible de soutenir notre regard sur la production architecturale d\u2019aujourd\u2019hui et d\u2019hier mais \u00e9galement comme mode op\u00e9ratoire potentiel pour la conception architecturale.<\/p><p>Les \u00e9tudiant.e.s ont ainsi repris \u00e0 leur compte l\u2019intuition de la \u00ab\u00a0Bravoure Team\u00a0\u00bb, et appliqu\u00e9 de mani\u00e8re critique le dispositif consistant \u00e0 identifier des fragments d\u2019architecture pouvant \u00eatre envisag\u00e9s comme autant de formes de bravoures architecturales \u00e0 l\u2019heure de la p\u00e9nurie. A partir d\u2019une recherche prolongeant et d\u00e9passant les limites g\u00e9ographiques et temporelles de la proposition de 2016, les \u00e9tudiant.e.s ont constitu\u00e9 individuellement et collectivement un atlas de triptyques augmentant la proposition d\u2019origine, elle-m\u00eame tripartite. Parall\u00e8lement, ils et elles ont con\u00e7u un projet individuel convoquant certains des modes op\u00e9ratoires identifi\u00e9s dans cet atlas.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p><span class=\\\"_Caption\\\">Juliette Besset<\/span><br \/><span class=\\\"_Caption\\\">Amaury Caeyman<\/span><br \/><span class=\\\"_Caption\\\">Thibault de Smet d'Olbecke<\/span><br \/><span class=\\\"_Caption\\\">Julien Hermant<\/span><br \/><span class=\\\"_Caption\\\">Anthony Millour<\/span><br \/><span class=\\\"_Caption\\\">Isabela Mistodi<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p><span class=\\\"_Caption\\\">Carla Muyle<\/span><br \/><span class=\\\"_Caption\\\">Alicia Piazza<\/span><br \/><span class=\\\"_Caption\\\">Mihai Pop<\/span><br \/><span class=\\\"_Caption\\\">Cl\u00e9mence Ridel<\/span><br \/><span class=\\\"_Caption\\\">Gregorio Sicurezza<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      }\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/HTC_Collectif_Thumb.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=565"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/944"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}