{"id":594,"date":"2020-07-07T00:13:00","date_gmt":"2020-07-06T13:34:27","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/ba1-atelier-2-collectif-2\/"},"modified":"2021-04-21T18:24:38","modified_gmt":"2021-04-21T16:24:38","slug":"ba1-atelier-2-collectif-2","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/ba1-atelier-2-collectif-2\/","title":{"rendered":"BA1 \/ Atelier 4 (collectif)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[1,20,9],"tags":[],"class_list":["post-594","post","type-post","status-publish","has-post-thumbnail","hentry","category-productions","category-prod-19-20","category-projets-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">L\u2019Atlas<br \/><span class=\\\"_Head2\\\">BA1 (Pierre Burquel, Emilie Morales Finch)<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 10,\r\n          \"shortcodeid\": 1594815898861\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p>Le premier acte de conception est d\u2019observer et de documenter!<\/p><p>Ce premier exercice proposait aux \u00e9tudiants de d\u00e9velopper un Atlas de mani\u00e8re collective. Il a permis de cr\u00e9er une base de donn\u00e9es, un socle de connaissances commun, disponible dans l\u2019atelier. L\u2019Atlas contient 3 chapitres.<\/p><p>Le premier chapitre \u00ab\u00a0Observation du site \u00bb, r\u00e9sulte d\u2019une exploration curieuse et intuitive du lieu. Ces observations th\u00e9matiques proposent une lecture du site \u00e0 3 \u00e9chelles\u00a0: micro (d\u00e9tails, mat\u00e9rialit\u00e9s), m\u00e9so (situations, rapports physiques, compositions spatiales, typologies), macro (cartographiques, trac\u00e9s, etc.).<\/p><p>Un deuxi\u00e8me chapitre \u00ab\u00a0R\u00e9f\u00e9rencer la notion de temporaire \u00bb investigue la question de la temporalit\u00e9 au travers de r\u00e9f\u00e9rences ext\u00e9rieures \u00e0 l\u2019architecture (cin\u00e9matographiques, picturales, photographiques, litt\u00e9raires, artistiques, ...) qui d\u00e9crivent\/traitent\/expriment\/illustrent la notion de temporaire ou en propose une compr\u00e9hension critique.<\/p><p>Le dernier chapitre constitue un \u00ab\u00a0Catalogue de pratiques sensibles de la for\u00eat \u00bb. Il r\u00e9sulte d\u2019une recherche documentaire sur des pratiques, des usages, des m\u00e9tiers, etc. qui d\u2019une mani\u00e8re ou d\u2019une\u00a0autre \u00ab\u00a0prennent soin de la for\u00eat \u00bb.<\/p><\/div><\/div><\/div>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 6,\r\n          \"config\": {\r\n     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\/>J\u00e2d Ghosn<br \/>Manon Ipers<br \/>Wiam Kharmach<\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              },\r\n              {\r\n                \"cont\": \"<p><span class=\\\"_Caption\\\">Emile Leruste<br \/>Ana\u00efs Levis<br \/>Louis Mahiant<br \/>Lola Majoie<br \/>Carla Malo<br \/>Cindy Mveng Amougou<br \/>Annalisa Proietti<br \/>Antoine Provost<br \/>Fanny Renson<br \/>Lisa Rousseau<br \/>Alexandra Sag<br \/>C\u00e9lestine Serniclaes<br \/>Matthieu Souvign\u00e9<br \/>Quentin Tournay<br \/>Ioan Usciuc<br \/>Pedro Van Aken<br \/>Lazuli Vingtain<br \/>Sophie William<\/span><\/p>\",\r\n                \"type\": \"text\"\r\n              }\r\n            ]\r\n          }\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 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title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p>Le premier acte de conception est d\u2019observer et de documenter!<\/p><p>Ce premier exercice proposait aux \u00e9tudiants de d\u00e9velopper un Atlas de mani\u00e8re collective. Il a permis de cr\u00e9er une base de donn\u00e9es, un socle de connaissances commun, disponible dans l\u2019atelier. L\u2019Atlas contient 3 chapitres.<\/p><p>Le premier chapitre \u00ab\u00a0Observation du site \u00bb, r\u00e9sulte d\u2019une exploration curieuse et intuitive du lieu. Ces observations th\u00e9matiques proposent une lecture du site \u00e0 3 \u00e9chelles\u00a0: micro (d\u00e9tails, mat\u00e9rialit\u00e9s), m\u00e9so (situations, rapports physiques, compositions spatiales, typologies), macro (cartographiques, trac\u00e9s, etc.).<\/p><p>Un deuxi\u00e8me chapitre \u00ab\u00a0R\u00e9f\u00e9rencer la notion de temporaire \u00bb investigue la question de la temporalit\u00e9 au travers de r\u00e9f\u00e9rences ext\u00e9rieures \u00e0 l\u2019architecture (cin\u00e9matographiques, picturales, photographiques, litt\u00e9raires, artistiques, ...) qui d\u00e9crivent\/traitent\/expriment\/illustrent la notion de temporaire ou en propose une compr\u00e9hension critique.<\/p><p>Le dernier chapitre constitue un \u00ab\u00a0Catalogue de pratiques sensibles de la for\u00eat \u00bb. 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