{"id":6200,"date":"2025-10-29T15:48:45","date_gmt":"2025-10-29T14:48:45","guid":{"rendered":"https:\/\/archiexpo.ulb.be\/wordpress\/bihh-2425-copy\/"},"modified":"2025-10-30T13:39:45","modified_gmt":"2025-10-30T12:39:45","slug":"laps-2425","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/laps-2425\/","title":{"rendered":"LAPs &#8211; Lieux, Architecture, Paysages"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":6223,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[54],"tags":[],"class_list":["post-6200","post","type-post","status-publish","has-post-thumbnail","hentry","category-ateliers-24-25"],"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2025\/10\/thumb-LAPs.jpg","grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 1\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\"><span lang=\\\"FR\\\">LAPs - Lieux, Architecture, Paysages<br \/><\/span><em>Fabien Dautrebande, Julie Martineau<\/em><\/p>\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"shortcodeid\": 1594817278063,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<div id=\\\"description\\\" class=\\\"toolbox\\\"><div class=\\\"toolbox\\\"><p><span>L\u2019approche des territoires s\u2019enrichit du d\u00e9ploiement de la discipline de l\u2019architecture du Paysage, de ses pr\u00e9occupations face aux changements climatiques, de ses lectures plurielles des paysages, de ses expressions et repr\u00e9sentations sp\u00e9cifiques. <\/span><\/p><p><span>L\u2019atelier propose d\u2019explorer par le projet la relation entre les disciplines de l\u2019architecture et de l\u2019architecture du paysage, leur perm\u00e9abilit\u00e9 r\u00e9ciproque, d\u2019identifier et d\u2019interroger les \u00e9ventuels malentendus voire les conflits engendr\u00e9s, de comprendre les superpositions et les hi\u00e9rarchies, et de rechercher les confluences et relations symbiotiques g\u00e9n\u00e9r\u00e9es par les regards crois\u00e9s des deux points de vue. <\/span><\/p><p><span>L\u2019atelier s\u2019int\u00e9resse aux paysages des campagnes urbaines ayant \u00e9t\u00e9 intens\u00e9ment transform\u00e9s par l\u2019activit\u00e9 humaine. <\/span><\/p><p><span>Les approches spatiales entre projet d\u2019Architecture et projet de Paysage se reconnaissent \u00e0 l\u2019\u00e9vidence dans la culture de l\u2019espace, la manipulation des \u00e9chelles, les outils de conception et de repr\u00e9sentation, et le processus du projet, entre autres. Elles se distinguent cependant dans la pr\u00e9occupation fondamentale du vivant qui op\u00e8re sur les transformations du paysage dans le cas du projet de Paysage, et dans la finalit\u00e9 \u00e9dificatrice dans le cas du projet d\u2019Architecture. <\/span><\/p><p><span>L\u2019ambition est d\u2019interroger la rencontre entre architecture et paysage dans l\u2019exploration de lieux inscrits dans des figures territoriales majeures, \u00e0 savoir des paysages transform\u00e9s par les activit\u00e9s humaines, aux points de rencontre entre leur origine, les r\u00e9surgences d\u2019\u00e9critures pass\u00e9es et les enjeux contemporains<\/span><span>1<\/span><span>. <\/span><\/p><p><span>Rencontres, compl\u00e9mentarit\u00e9s, collisions, dissonances, points de convergences, de fusion, angles morts etc. Il s\u2019agit d\u2019identifier, de prendre la mesure et de r\u00e9v\u00e9ler de mani\u00e8re critique les relations complexes entre paysages et architectures et de s\u2019en nourrir<\/span><span>2<\/span><span>. L\u2019atelier questionne ici les bords, ceux qui d\u00e9finissent avec plus ou moins de nettet\u00e9 les paysages ainsi que les contours disciplinaires entre Architecture et Architecture du Paysage, comme autant de limites ou d\u2019interfaces, physiques, disciplinaires ou th\u00e9oriques. <\/span><\/p><p><span>Il s\u2019agit d\u2019\u00eatre dans le paysage, per\u00e7u et v\u00e9cu, comme (lieu d\u2019) habitat et comme lieu parcouru. Pour intensifier le regard lors des recherches, une s\u00e9rie de marches exploratives nourrissent de mani\u00e8re empirique le travail de projet. L\u2019attention se focalisera sur le \u00ab sol \u00bb, qui constitue pour l\u2019atelier une pr\u00e9occupation majeure, \u00e0 partir duquel peuvent se d\u00e9plier les autres dimensions. En plus des th\u00e9matiques li\u00e9es au vivant, \u00e0 la m\u00e9moire, \u00e0 la transformation du sol, etc., l\u2019ambition de l\u2019atelier cette ann\u00e9e est de consid\u00e9rer la question de l\u2019alimentation comme leitmotiv transversal. <\/span><\/p><p><span>Le projet sera naturellement utilis\u00e9 comme outil de connaissance, de n\u00e9gociation et d\u2019exp\u00e9rimentation dans et avec le paysage. Il s\u2019agit d\u2019assumer d\u2019un c\u00f4t\u00e9 le projet pour sa force de proposition et d\u2019un autre, son caract\u00e8re \u00e9difi\u00e9, embarquant une s\u00e9rie de questions \u00e0 la fois th\u00e9oriques, pratiques et techniques. <\/span><\/p><\/div><\/div>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 6,\r\n          \"absolute_position\": false,\r\n          \"textAnimation\": {\r\n            \"enableTextAnimation\": false\r\n          }\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23.png\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 840,\r\n          \"attid\": 6210,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23.png\",\r\n            \"_768\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-768x1025.png\",\r\n            \"_512\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-512x683.png\",\r\n            \"_265\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-265x354.png\"\r\n          },\r\n          \"w\": 944,\r\n          \"h\": 1260,\r\n          \"ar\": 1.3347457627118644,\r\n          \"alt\": \"\",\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"elementgrid\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8,\r\n          \"config\": {\r\n            \"desktop\": {\r\n              \"colCount\": 4,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1,\r\n              \"customAspectRatio\": false,\r\n              \"customAspectRatioW\": 16,\r\n              \"customAspectRatioH\": 9\r\n            },\r\n            \"tablet\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1,\r\n              \"customAspectRatio\": false,\r\n              \"customAspectRatioW\": 16,\r\n              \"customAspectRatioH\": 9\r\n            },\r\n            \"phone\": {\r\n              \"colCount\": 2,\r\n              \"colGutter\": 1,\r\n              \"rowGutter\": 1,\r\n              \"customAspectRatio\": false,\r\n              \"customAspectRatioW\": 16,\r\n              \"customAspectRatioH\": 9\r\n            },\r\n            \"layoutType\": \"top-aligned\",\r\n            \"elements\": [\r\n              {\r\n                \"type\": \"postThumbnail\",\r\n                \"title\": \"LAPs | Berivan Durmaz, No\u00e9mie Sebban\",\r\n                \"postid\": 6466,\r\n                \"descr\": \"\",\r\n                \"link\": \"\/laps_2425-1\/\",\r\n                \"attid\": 6479,\r\n                \"ar\": 0.842344618494189,\r\n                \"cont\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7.jpg\",\r\n                \"sizes\": {\r\n                  \"full\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7.jpg\",\r\n                  \"_1920\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1920x1617.jpg\",\r\n                  \"_1280\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1280x1078.jpg\",\r\n                  \"_1024\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1024x863.jpg\",\r\n                  \"_768\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-768x647.jpg\",\r\n                  \"_512\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-512x431.jpg\",\r\n                  \"_265\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-265x223.jpg\"\r\n                },\r\n                \"mo_sizes\": \"\",\r\n                \"mo_h\": \"\",\r\n                \"mo_w\": \"\",\r\n                \"video_url\": \"\",\r\n                \"video_w\": 0,\r\n                \"video_h\": 0,\r\n                \"tags\": []\r\n              }\r\n            ]\r\n          },\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 3,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 628,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 2\r\n    },\r\n    {\r\n      \"relid\": 3\r\n    },\r\n    {\r\n      \"relid\": 10\r\n    },\r\n    {\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"relid\": 12\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Head1\\\"><span lang=\\\"FR\\\">LAPs - Lieux, Architecture, Paysages<br \/><\/span><em>Fabien Dautrebande, Julie Martineau<\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23.png\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 840,\r\n      \"attid\": 6210,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23.png\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-768x1025.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-512x683.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/10\/Capture-decran-2025-10-29-a-16.24.23-265x354.png\"\r\n      },\r\n      \"w\": 944,\r\n      \"h\": 1260,\r\n      \"ar\": 1.3347457627118644,\r\n      \"alt\": \"\",\r\n      \"caption\": \"<p><span class=\\\"_Caption\\\">Universit\u00e0 di Parma | CASAC Centro Studi e Archivio della Communicazione, BB003017S.\u00a0Senza titolo (No-Stop City. Progetto di Sistema metropolitano diffuso. Diagramma abitativo omogeno) (1969\/72)<\/span><\/p>\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 4,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"layoutType\": \"top-aligned\",\r\n        \"elements\": [\r\n          {\r\n            \"type\": \"postThumbnail\",\r\n            \"title\": \"LAPs | Berivan Durmaz, No\u00e9mie Sebban\",\r\n            \"postid\": 6466,\r\n            \"descr\": \"\",\r\n            \"link\": \"\/laps_2425-1\/\",\r\n            \"attid\": 6479,\r\n            \"ar\": 0.842344618494189,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7.jpg\",\r\n              \"_1920\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1920x1617.jpg\",\r\n              \"_1280\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1280x1078.jpg\",\r\n              \"_1024\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-1024x863.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-768x647.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-512x431.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/10\/ONLINE_Thumbnail-templates-indd2023-7-265x223.jpg\"\r\n            },\r\n            \"mo_sizes\": \"\",\r\n            \"mo_h\": \"\",\r\n            \"mo_w\": \"\",\r\n            \"video_url\": \"\",\r\n            \"video_w\": 0,\r\n            \"video_h\": 0,\r\n            \"tags\": []\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div id=\\\"description\\\" class=\\\"toolbox\\\"><div class=\\\"toolbox\\\"><p><span>L\u2019approche des territoires s\u2019enrichit du d\u00e9ploiement de la discipline de l\u2019architecture du Paysage, de ses pr\u00e9occupations face aux changements climatiques, de ses lectures plurielles des paysages, de ses expressions et repr\u00e9sentations sp\u00e9cifiques. <\/span><\/p><p><span>L\u2019atelier propose d\u2019explorer par le projet la relation entre les disciplines de l\u2019architecture et de l\u2019architecture du paysage, leur perm\u00e9abilit\u00e9 r\u00e9ciproque, d\u2019identifier et d\u2019interroger les \u00e9ventuels malentendus voire les conflits engendr\u00e9s, de comprendre les superpositions et les hi\u00e9rarchies, et de rechercher les confluences et relations symbiotiques g\u00e9n\u00e9r\u00e9es par les regards crois\u00e9s des deux points de vue. <\/span><\/p><p><span>L\u2019atelier s\u2019int\u00e9resse aux paysages des campagnes urbaines ayant \u00e9t\u00e9 intens\u00e9ment transform\u00e9s par l\u2019activit\u00e9 humaine. <\/span><\/p><p><span>Les approches spatiales entre projet d\u2019Architecture et projet de Paysage se reconnaissent \u00e0 l\u2019\u00e9vidence dans la culture de l\u2019espace, la manipulation des \u00e9chelles, les outils de conception et de repr\u00e9sentation, et le processus du projet, entre autres. Elles se distinguent cependant dans la pr\u00e9occupation fondamentale du vivant qui op\u00e8re sur les transformations du paysage dans le cas du projet de Paysage, et dans la finalit\u00e9 \u00e9dificatrice dans le cas du projet d\u2019Architecture. <\/span><\/p><p><span>L\u2019ambition est d\u2019interroger la rencontre entre architecture et paysage dans l\u2019exploration de lieux inscrits dans des figures territoriales majeures, \u00e0 savoir des paysages transform\u00e9s par les activit\u00e9s humaines, aux points de rencontre entre leur origine, les r\u00e9surgences d\u2019\u00e9critures pass\u00e9es et les enjeux contemporains<\/span><span>1<\/span><span>. <\/span><\/p><p><span>Rencontres, compl\u00e9mentarit\u00e9s, collisions, dissonances, points de convergences, de fusion, angles morts etc. Il s\u2019agit d\u2019identifier, de prendre la mesure et de r\u00e9v\u00e9ler de mani\u00e8re critique les relations complexes entre paysages et architectures et de s\u2019en nourrir<\/span><span>2<\/span><span>. L\u2019atelier questionne ici les bords, ceux qui d\u00e9finissent avec plus ou moins de nettet\u00e9 les paysages ainsi que les contours disciplinaires entre Architecture et Architecture du Paysage, comme autant de limites ou d\u2019interfaces, physiques, disciplinaires ou th\u00e9oriques. <\/span><\/p><p><span>Il s\u2019agit d\u2019\u00eatre dans le paysage, per\u00e7u et v\u00e9cu, comme (lieu d\u2019) habitat et comme lieu parcouru. Pour intensifier le regard lors des recherches, une s\u00e9rie de marches exploratives nourrissent de mani\u00e8re empirique le travail de projet. L\u2019attention se focalisera sur le \u00ab sol \u00bb, qui constitue pour l\u2019atelier une pr\u00e9occupation majeure, \u00e0 partir duquel peuvent se d\u00e9plier les autres dimensions. En plus des th\u00e9matiques li\u00e9es au vivant, \u00e0 la m\u00e9moire, \u00e0 la transformation du sol, etc., l\u2019ambition de l\u2019atelier cette ann\u00e9e est de consid\u00e9rer la question de l\u2019alimentation comme leitmotiv transversal. <\/span><\/p><p><span>Le projet sera naturellement utilis\u00e9 comme outil de connaissance, de n\u00e9gociation et d\u2019exp\u00e9rimentation dans et avec le paysage. Il s\u2019agit d\u2019assumer d\u2019un c\u00f4t\u00e9 le projet pour sa force de proposition et d\u2019un autre, son caract\u00e8re \u00e9difi\u00e9, embarquant une s\u00e9rie de questions \u00e0 la fois th\u00e9oriques, pratiques et techniques. <\/span><\/p><\/div><\/div>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/6200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=6200"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/6200\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/6223"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=6200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=6200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=6200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}