{"id":857,"date":"2020-07-10T10:44:01","date_gmt":"2020-07-10T08:44:01","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/?p=857"},"modified":"2021-04-21T18:31:53","modified_gmt":"2021-04-21T16:31:53","slug":"option-aim-i-ayman-ghazali","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/option-aim-i-ayman-ghazali\/","title":{"rendered":"Option AIM I \/ Ayman Ghazali"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":858,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[15,1,20],"tags":[],"class_list":["post-857","post","type-post","status-publish","has-post-thumbnail","hentry","category-cours-tfe-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n \"colCount\": 6,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Sol Lewitt, Serial Projet n\u00b01 (1966)
Interpr\u00e9tation par mod\u00e8le proc\u00e9dural
Ayman Ghazali<\/em>
<\/span><\/p>

Ce projet a \u00e9t\u00e9 r\u00e9alis\u00e9 dans le cadre du cours \u00ab\u00a0Analyse formelle et processus informatique\u00a0\u00bb. Le travail propos\u00e9 aux \u00e9tudiants consiste \u00e0 explorer un syst\u00e8me de composition autonome en se basant sur l\u2019analyse d\u2019une oeuvre d\u2019art. Les \u00e9tudiants transcrivent leur interpr\u00e9tation de l\u2019oeuvre choisie dans le langage de programmation Python, et g\u00e9n\u00e8rent des configurations spatiales param\u00e9triques pour investir l\u2019espace d\u2019un cube de 10 cm de c\u00f4t\u00e9.<\/span><\/p>

Enseignants: Denis Derycke (coord.), Michel Lef\u00e8vre, Julien Rippinger<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 651\r\n },\r\n {\r\n \"type\": \"shortcode\",\r\n \"cont\": \"[shared_counts]\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"shortcodeid\": 1594817520898\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

L\u2019\u0153uvre originale, \u00ab Serial Project no.1 \u00bb, de Sol Lewitt, repr\u00e9sente la r\u00e9solution exhaustive d\u2019une variation g\u00e9om\u00e9trique de deux modules de base carr\u00e9e : le premier d\u2019une unit\u00e9, le second de trois unit\u00e9s. Chacun des deux modules subit deux types de variations possibles\u00a0:
- soit dimensionnelle\u00a0: la hauteur varie selon trois valeurs (0,1,3)
- soit mat\u00e9rielle\u00a0: l\u2019expression est soit pleine, soit filaire.
L\u2019oeuvre finale repr\u00e9sente neuf possibilit\u00e9s dimensionnelles multipli\u00e9es par quatre possibilit\u00e9s mat\u00e9rielles, donc 36 possibilit\u00e9s. Ces \u00e9l\u00e9ments sont pr\u00e9sent\u00e9s selon quatre grilles de neuf carr\u00e9s (A,B,C,D), dispos\u00e9s de mani\u00e8re \u00e0 \u00eatre lus suivant une narration progressive dans les directions horizontale, verticale, et diagonale.<\/p>

L\u2019interpr\u00e9tation de l\u2019oeuvre de Lewitt que propose ce projet consiste \u00e0 g\u00e9n\u00e9rer des entit\u00e9s ind\u00e9pendantes qui varient selon une logique similaire, mais cette fois, non plus uniquement en hauteur, mais suivant les trois dimensions. L\u2019intention est d\u2019explorer la variation de ces \u00e9l\u00e9ments dans l\u2019espace du cube de 10 cm de c\u00f4t\u00e9 en respectant la logique narrative de l'\u0153uvre originale, pour finalement aboutir \u00e0 toutes les variations possibles \u00e0 l\u2019int\u00e9rieur d\u2019un nouvel univers spatial. Le code informatique d\u00e9finit d\u2019abord la variation dimensionnelle dans un quart de cube. La variation mat\u00e9rielle est ensuite d\u00e9duite sur les quarte quarts (A,B,C,D), qui, une fois r\u00e9unis, forment le cube complet (ABCD). Autrement dit, le code g\u00e9n\u00e8re \u00e0 chaque fois quarte quarts de cubes qui recomposent le m\u00eame r\u00e9cit formel, mais \u00e0 travers quatre langages mat\u00e9riels diff\u00e9rents. Tout comme l\u2019\u0153uvre de Sol Lewitt, la configuration semble complexe au premier abord. N\u00e9anmoins, le cube une fois ouvert d\u00e9voile clairement la logique narrative des \u00e9l\u00e9ments qui le composent.<\/p>

Ce mod\u00e8le proc\u00e9dural permet de g\u00e9n\u00e9rer toutes les variations possibles de cette nouvelle spatialit\u00e9\u00a0: 64 quarts de cube multipli\u00e9s par quatre variations mat\u00e9rielles, ce qui donne 256 configurations spatiales potentielles.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 652\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 650,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n 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Cr\u00e9dit des images: AlICe lab & NY MoMA<\/span><\/span><\/p>\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 3,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 653,\r\n \"frameOverflow\": \"\"\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 1,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 5,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n [],\r\n [],\r\n [],\r\n []\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Sol Lewitt, Serial Projet n\u00b01 (1966)
Interpr\u00e9tation par mod\u00e8le proc\u00e9dural
Ayman Ghazali<\/em>
<\/span><\/p>

Ce projet a \u00e9t\u00e9 r\u00e9alis\u00e9 dans le cadre du cours \u00ab\u00a0Analyse formelle et processus informatique\u00a0\u00bb. Le travail propos\u00e9 aux \u00e9tudiants consiste \u00e0 explorer un syst\u00e8me de composition autonome en se basant sur l\u2019analyse d\u2019une oeuvre d\u2019art. Les \u00e9tudiants transcrivent leur interpr\u00e9tation de l\u2019oeuvre choisie dans le langage de programmation Python, et g\u00e9n\u00e8rent des configurations spatiales param\u00e9triques pour investir l\u2019espace d\u2019un cube de 10 cm de c\u00f4t\u00e9.<\/span><\/p>

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Cr\u00e9dit des images: AlICe lab & NY MoMA<\/span><\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

L\u2019\u0153uvre originale, \u00ab Serial Project no.1 \u00bb, de Sol Lewitt, repr\u00e9sente la r\u00e9solution exhaustive d\u2019une variation g\u00e9om\u00e9trique de deux modules de base carr\u00e9e : le premier d\u2019une unit\u00e9, le second de trois unit\u00e9s. Chacun des deux modules subit deux types de variations possibles\u00a0:
- soit dimensionnelle\u00a0: la hauteur varie selon trois valeurs (0,1,3)
- soit mat\u00e9rielle\u00a0: l\u2019expression est soit pleine, soit filaire.
L\u2019oeuvre finale repr\u00e9sente neuf possibilit\u00e9s dimensionnelles multipli\u00e9es par quatre possibilit\u00e9s mat\u00e9rielles, donc 36 possibilit\u00e9s. Ces \u00e9l\u00e9ments sont pr\u00e9sent\u00e9s selon quatre grilles de neuf carr\u00e9s (A,B,C,D), dispos\u00e9s de mani\u00e8re \u00e0 \u00eatre lus suivant une narration progressive dans les directions horizontale, verticale, et diagonale.<\/p>

L\u2019interpr\u00e9tation de l\u2019oeuvre de Lewitt que propose ce projet consiste \u00e0 g\u00e9n\u00e9rer des entit\u00e9s ind\u00e9pendantes qui varient selon une logique similaire, mais cette fois, non plus uniquement en hauteur, mais suivant les trois dimensions. L\u2019intention est d\u2019explorer la variation de ces \u00e9l\u00e9ments dans l\u2019espace du cube de 10 cm de c\u00f4t\u00e9 en respectant la logique narrative de l'\u0153uvre originale, pour finalement aboutir \u00e0 toutes les variations possibles \u00e0 l\u2019int\u00e9rieur d\u2019un nouvel univers spatial. Le code informatique d\u00e9finit d\u2019abord la variation dimensionnelle dans un quart de cube. La variation mat\u00e9rielle est ensuite d\u00e9duite sur les quarte quarts (A,B,C,D), qui, une fois r\u00e9unis, forment le cube complet (ABCD). Autrement dit, le code g\u00e9n\u00e8re \u00e0 chaque fois quarte quarts de cubes qui recomposent le m\u00eame r\u00e9cit formel, mais \u00e0 travers quatre langages mat\u00e9riels diff\u00e9rents. Tout comme l\u2019\u0153uvre de Sol Lewitt, la configuration semble complexe au premier abord. N\u00e9anmoins, le cube une fois ouvert d\u00e9voile clairement la logique narrative des \u00e9l\u00e9ments qui le composent.<\/p>

Ce mod\u00e8le proc\u00e9dural permet de g\u00e9n\u00e9rer toutes les variations possibles de cette nouvelle spatialit\u00e9\u00a0: 64 quarts de cube multipli\u00e9s par quatre variations mat\u00e9rielles, ce qui donne 256 configurations spatiales potentielles.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 652\r\n }\r\n ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/AIMI.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=857"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/858"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}