{"id":903,"date":"2020-07-10T13:33:56","date_gmt":"2020-07-10T11:33:56","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/?p=903"},"modified":"2021-04-21T18:23:30","modified_gmt":"2021-04-21T16:23:30","slug":"publication-wouter-van-acker-thomas-miscal","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/publication-wouter-van-acker-thomas-miscal\/","title":{"rendered":"Ouvrage | Wouter Van Acker"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":904,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[12,1,20],"tags":[],"class_list":["post-903","post","type-post","status-publish","has-post-thumbnail","hentry","category-culture-recherche-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\"><span lang=\\\"fr\\\">Architecture and Ugliness. <\/span><span lang=\\\"EN-US\\\">Anti-Aesthetics and the Ugly in Postmodern Architecture<br \/><span lang=\\\"fr\\\"><em>dir. Wouter Van Acker (ULB), Thomas Mical (University of South Australia)<\/em><br \/><span class=\\\"_Head2\\\">Laboratoire hortence<\/span><\/span><\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1959\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"shortcodeid\": 1594814635276\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1961\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p><span lang=\\\"fr\\\">Quelle que soit la \u00ab\u00a0laideur\u00a0\u00bb, elle demeure une cat\u00e9gorie probl\u00e9matique dans l\u2019esth\u00e9tique architecturale \u2013 \u00e0 la fois vilipend\u00e9e et appropri\u00e9e, utilis\u00e9e pour choquer ou inverser les conventions de l\u2019architecture. <\/span><span lang=\\\"FR\\\">Ce livre pr\u00e9sente seize nouveaux essais acad\u00e9miques qui repensent le r\u00f4le de la laideur dans l\u2019architecture r\u00e9cente \u2013 du brutalisme aux productions architecturales postmodernes \u00e9clectiques. 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Wouter Van Acker (ULB), Thomas Mical (University of South Australia)<\/em><br \/><span class=\\\"_Head2\\\">Laboratoire hortence<\/span><\/span><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1959\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1961\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span lang=\\\"fr\\\">Quelle que soit la \u00ab\u00a0laideur\u00a0\u00bb, elle demeure une cat\u00e9gorie probl\u00e9matique dans l\u2019esth\u00e9tique architecturale \u2013 \u00e0 la fois vilipend\u00e9e et appropri\u00e9e, utilis\u00e9e pour choquer ou inverser les conventions de l\u2019architecture. <\/span><span lang=\\\"FR\\\">Ce livre pr\u00e9sente seize nouveaux essais acad\u00e9miques qui repensent le r\u00f4le de la laideur dans l\u2019architecture r\u00e9cente \u2013 du brutalisme aux productions architecturales postmodernes \u00e9clectiques. 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