{"id":912,"date":"2020-07-10T16:19:28","date_gmt":"2020-07-10T14:19:28","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/?p=912"},"modified":"2021-04-21T18:11:25","modified_gmt":"2021-04-21T16:11:25","slug":"ouvrage-sasha","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/ouvrage-sasha\/","title":{"rendered":"Expo + Ouvrage | sASHa"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":913,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[12,1,20],"tags":[],"class_list":["post-912","post","type-post","status-publish","has-post-thumbnail","hentry","category-culture-recherche-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">X Artefacts<br \/><em><span lang=\\\"FR\\\">\u00c9quipe curatoriale : Sophie Jacquemin, Pauline Lefebvre, Victoire Chancel, Daniela Salgado Cofr\u00e9, Jean-Philippe Possoz (ULi\u00e8ge), Anne-Laure Iger, Simon Bertrand.<\/span><\/em><br \/><span class=\\\"_Head2\\\">Laboratoire sASHa<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 9,\r\n          \"shortcodeid\": 1594814605345\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p>Organis\u00e9e \u00e0 l\u2019occasion du colloque Penser-Faire, l\u2019exposition X Artefacts r\u00e9unit prototypes, \u00e9chantillons, mock-ups et autres objets fabriqu\u00e9s \u00e0 l\u2019\u00e9chelle 1:1, comme autant de t\u00e9moins de situations o\u00f9 des architectes ont \u00e9t\u00e9 amen\u00e9\u00b7e\u00b7s \u00e0 s\u2019engager physiquement sur le terrain de la construction, en contact direct avec la mati\u00e8re. Ces dix artefacts \u00e9voquent des moments de d\u00e9bordement disciplinaire, de plus ou moins grande ampleur, o\u00f9 des architectes s\u2019investissent au-del\u00e0 de leurs pr\u00e9rogatives suppos\u00e9es \u2013 la conception, la prescription, le suivi de chantier et l\u2019accompagnement du ou de la ma\u00eetre de l\u2019ouvrage. Ils investiguent aussi les gestes, les circuits et les techniques de la construction, par le biais de la production, la mise en \u0153uvre ou la mise sur le march\u00e9 de mat\u00e9riaux ou d\u2019\u00e9l\u00e9ments de construction. Les artefacts r\u00e9unis ici peuvent \u00eatre le fruit d\u2019une exp\u00e9rience ponctuelle li\u00e9e aux circonstances sp\u00e9cifiques d\u2019un projet, comme d\u2019un engagement constitutif du travail de l\u2019agence ou du collectif. Ces objets attestent d\u2019une n\u00e9cessit\u00e9, pour ces architectes, de r\u00e9tablir le faire comme une modalit\u00e9 \u00e0 part enti\u00e8re de leur pratique, au sens o\u00f9 ils tissent des liens plus \u00e9troits avec la mati\u00e8re et sa mise en \u0153uvre. Ils impliquent une reconfiguration des relations que les architectes entretiennent avec les acteurs, outils, m\u00e9thodes et lieux de la construction. X Artefacts raconte l\u2019histoire de dix objets en revenant sur les conditions qui les ont rendus n\u00e9cessaires et les raisons pour lesquelles ils ont \u00e9t\u00e9 mobilis\u00e9s, en soulignant les moyens mis en \u0153uvre pour leur cr\u00e9ation et en \u00e9tayant leurs incidences sur les processus de conception et de construction. Ensemble, les histoires de ces dix objets esquissent le portrait d\u2019une certaine condition actuelle de la pratique, o\u00f9 penser et faire s\u2019entrem\u00ealent.<\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 6\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13.jpg\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 585,\r\n          \"attid\": 916,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-2560x1707.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-1920x1280.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13-265x177.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 2000,\r\n          \"ar\": 0.66666666666667,\r\n          \"alt\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"https:\/\/penser-faire.sciencesconf.org\/data\/pages\/Catalogue_X_Artefacts_1.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">T\u00e9l\u00e9charge le livret-catalogue<\/a><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 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Anne-Laure Iger, Simon Bertrand.<\/span><\/em><br \/><span class=\\\"_Head2\\\">Laboratoire sASHa<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2020\/07\/180220-X-artefacts-13.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      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\"ar\": 0.66666666666667,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"https:\/\/penser-faire.sciencesconf.org\/data\/pages\/Catalogue_X_Artefacts_1.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">T\u00e9l\u00e9charge le livret-catalogue<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 373\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Organis\u00e9e \u00e0 l\u2019occasion du colloque Penser-Faire, l\u2019exposition X Artefacts r\u00e9unit prototypes, \u00e9chantillons, mock-ups et autres objets fabriqu\u00e9s \u00e0 l\u2019\u00e9chelle 1:1, comme autant de t\u00e9moins de situations o\u00f9 des architectes ont \u00e9t\u00e9 amen\u00e9\u00b7e\u00b7s \u00e0 s\u2019engager physiquement sur le terrain de la construction, en contact direct avec la mati\u00e8re. Ces dix artefacts \u00e9voquent des moments de d\u00e9bordement disciplinaire, de plus ou moins grande ampleur, o\u00f9 des architectes s\u2019investissent au-del\u00e0 de leurs pr\u00e9rogatives suppos\u00e9es \u2013 la conception, la prescription, le suivi de chantier et l\u2019accompagnement du ou de la ma\u00eetre de l\u2019ouvrage. Ils investiguent aussi les gestes, les circuits et les techniques de la construction, par le biais de la production, la mise en \u0153uvre ou la mise sur le march\u00e9 de mat\u00e9riaux ou d\u2019\u00e9l\u00e9ments de construction. Les artefacts r\u00e9unis ici peuvent \u00eatre le fruit d\u2019une exp\u00e9rience ponctuelle li\u00e9e aux circonstances sp\u00e9cifiques d\u2019un projet, comme d\u2019un engagement constitutif du travail de l\u2019agence ou du collectif. Ces objets attestent d\u2019une n\u00e9cessit\u00e9, pour ces architectes, de r\u00e9tablir le faire comme une modalit\u00e9 \u00e0 part enti\u00e8re de leur pratique, au sens o\u00f9 ils tissent des liens plus \u00e9troits avec la mati\u00e8re et sa mise en \u0153uvre. Ils impliquent une reconfiguration des relations que les architectes entretiennent avec les acteurs, outils, m\u00e9thodes et lieux de la construction. X Artefacts raconte l\u2019histoire de dix objets en revenant sur les conditions qui les ont rendus n\u00e9cessaires et les raisons pour lesquelles ils ont \u00e9t\u00e9 mobilis\u00e9s, en soulignant les moyens mis en \u0153uvre pour leur cr\u00e9ation et en \u00e9tayant leurs incidences sur les processus de conception et de construction. Ensemble, les histoires de ces dix objets esquissent le portrait d\u2019une certaine condition actuelle de la pratique, o\u00f9 penser et faire s\u2019entrem\u00ealent.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/Thumbs_recherche_X_Artefacts.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/913"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}