{"id":919,"date":"2020-07-10T16:42:17","date_gmt":"2020-07-10T14:42:17","guid":{"rendered":"http:\/\/archiexpo.ulb.be\/wordpress\/?p=919"},"modified":"2021-04-21T18:11:52","modified_gmt":"2021-04-21T16:11:52","slug":"ouvrage-jean-didier-bergilez","status":"publish","type":"post","link":"https:\/\/archiexpo.ulb.be\/wordpress\/ouvrage-jean-didier-bergilez\/","title":{"rendered":"Ouvrage | Jean-Didier Bergilez"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"jetpack_post_was_ever_published":false},"categories":[12,1,20],"tags":[],"class_list":["post-919","post","type-post","status-publish","has-post-thumbnail","hentry","category-culture-recherche-19-20","category-productions","category-prod-19-20"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Head1\\\">L'interstice<br \/><em>M.S. (photographies),\u00a0<\/em><em>Jean-Didier Bergilez (texte)<\/em><br \/><span class=\\\"_Head2\\\">Laboratoire hortence<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 2,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4\r\n        },\r\n        {\r\n          \"type\": \"shortcode\",\r\n          \"cont\": \"[shared_counts]\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 7,\r\n          \"shortcodeid\": 1594814572061\r\n        },\r\n        {\r\n          \"type\": \"hr\",\r\n          \"cont\": \"\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 8\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: right;\\\">\u00ab Le cin\u00e9ma X, comme lieu, comme pornotopie pr\u00e9-num\u00e9rique \u00e0 l\u2019\u00e8re de la virtualit\u00e9 potentielle des sexualit\u00e9s, ultime dispositif spatial imagin\u00e9 pour ces films, dissout cette distance entre r\u00e9alit\u00e9 et repr\u00e9sentation, regard et spectacle, d\u00e9cor et \u00e9cran. Ancr\u00e9 dans les tr\u00e9fonds de l\u2019urbain, il d\u00e9construit les cadres de cette distinction, et fait se confondre la sc\u00e8ne et l\u2019obsc\u00e8ne. La pornographie n\u2019y est plus spectacle, elle y est exp\u00e9rience ; la pornographie ne s\u2019y regarde plus, elle s\u2019y vit. \u00bb <br \/>Jean-Didier Bergilez<\/p><p><em>L\u2019interstice<\/em> est une enqu\u00eate photographique de M.S. dans un cin\u00e9ma porno. A travers ses photographies, M.S. interroge les pratiques et sexualit\u00e9s singuli\u00e8res qui s\u2019y jouent. Dans sa contribution <em>D\u00e9voiler de vulgaires d\u00e9sirs<\/em>, Jean-Didier Bergilez commente et compl\u00e8te cette exploration en discutant l\u2019existence m\u00eame de ces lieux, de ces pratiques et sexualit\u00e9s aux marges des espaces du quotidien autant que les regards \u2013 celui du photographe mais \u00e9galement celui du chercheur en sciences sociales ou en architecture - pour en rendre compte.<\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 5\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover.jpg\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1483,\r\n          \"attid\": 922,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-1024x1024.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-768x768.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-512x512.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-265x265.jpg\"\r\n          },\r\n          \"w\": 1280,\r\n          \"h\": 1280,\r\n          \"ar\": 1,\r\n          \"alt\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"https:\/\/www.89books.com\/store\/product\/linterstice-ms\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Lien vers la page du livre<\/a><\/p><p><span lang=\\\"fr\\\">M.S., <i>L\u2019interstice<\/i>, 89books, Palermo, 2020, 88 p<br \/><\/span>ISBN 978-88-944092-6-0<\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1484\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 3,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 746,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1.5,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    [],\r\n    [],\r\n    [],\r\n    [],\r\n    []\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Head1\\\">L'interstice<br \/><em>M.S. 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Ancr\u00e9 dans les tr\u00e9fonds de l\u2019urbain, il d\u00e9construit les cadres de cette distinction, et fait se confondre la sc\u00e8ne et l\u2019obsc\u00e8ne. La pornographie n\u2019y est plus spectacle, elle y est exp\u00e9rience ; la pornographie ne s\u2019y regarde plus, elle s\u2019y vit. \u00bb <br \/>Jean-Didier Bergilez<\/p><p><em>L\u2019interstice<\/em> est une enqu\u00eate photographique de M.S. dans un cin\u00e9ma porno. A travers ses photographies, M.S. interroge les pratiques et sexualit\u00e9s singuli\u00e8res qui s\u2019y jouent. Dans sa contribution <em>D\u00e9voiler de vulgaires d\u00e9sirs<\/em>, Jean-Didier Bergilez commente et compl\u00e8te cette exploration en discutant l\u2019existence m\u00eame de ces lieux, de ces pratiques et sexualit\u00e9s aux marges des espaces du quotidien autant que les regards \u2013 celui du photographe mais \u00e9galement celui du chercheur en sciences sociales ou en architecture - pour en rendre compte.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1483,\r\n      \"attid\": 922,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-1024x1024.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-768x768.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-512x512.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2020\/07\/BERGILEZ-Interstice-cover-265x265.jpg\"\r\n      },\r\n      \"w\": 1280,\r\n      \"h\": 1280,\r\n      \"ar\": 1,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"text-align: left;\\\"><a href=\\\"https:\/\/www.89books.com\/store\/product\/linterstice-ms\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Lien vers la page du livre<\/a><\/p><p><span lang=\\\"fr\\\">M.S., <i>L\u2019interstice<\/i>, 89books, Palermo, 2020, 88 p<br \/><\/span>ISBN 978-88-944092-6-0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1484\r\n    }\r\n  ]\r\n}","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-content\/uploads\/2020\/07\/Thumbs_recherche_Interstices.jpg","_links":{"self":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/comments?post=919"}],"version-history":[{"count":0,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/posts\/919\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media\/921"}],"wp:attachment":[{"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/media?parent=919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/categories?post=919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archiexpo.ulb.be\/wordpress\/wp-json\/wp\/v2\/tags?post=919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}